Tugboat Print Shop

(c) Tugboat Printship, used without permission

Every once and a while, we stumble upon a piece of art that infuriates us. Not because it's against our beliefs or is so terrible, but because it's simply amazing. While browsing Printeresting.org, a fantastic blog on printmaking (and a constant source of frustration for Monkey due to it's awesomeness), we stumbled upon Tugboat Printshop. They make Monkey want to punch himself in the face as they're such amazing printmakers.

So the image above is frickin' amazing. The "Bonfire" print is a woodcut print. Yes, that's right, it's a four-color woodcut print. That means the artists (Paul Roden + Valerie Lueth) carved the image into four wood blocks, then printed them over each other to get what is basically a full-color image out of four colors (basically the way CMYK inkjet printers work, but involving a LOT more time, skill, and crazy crazy amounts of dedication and patience).

(c) Tugboat Print Shop. Used without permission.

This other print of theirs is from their "The Deep Blue Sea" series and is on our "we want this" very close to the top. Narwals! Great color schemes! Block printing! Gah, very awesome. In another fit of awesomeness that makes Monkey's blood boil, they even decided to build this awesome little cart when they travel to craft fairs and such to sell their amazing wares.

The Tugboat Print Cart, photos stolen off Tugboat's blog.

Anyway, you should definitely go check them out. Monkey actually gets pretty infuriated by their amazingness, so he has to take a break from looking at their work or he might hurt himself, thus, you know that they're great. Go visit them over at www.tugboatprintshop.com!

Process: commecial printing

Hi ho, everyone! Today on our process post, Monkey will do a brief explanation of how you can request printing quotes from commercial printers. When doing invitation design for Little Yeti, Monkey has to check around at some of his favorite printers to see who's going to have what stock, who can print in what timeframe, and who's going to be the most affordable for any particular job. Yay!

The HP Indigo 5000

Hi everyone! So today I'll do a quick overview of what you need to ask about when requesting printing quotes from commercial printers. I've found that generally the more knowledgeable you are about what they (the printers) do, the better relationships (and potentially better rates) a designer/illustrator can build with print shops.

To be perfectly honest, unless you're doing big business (whether a high number of orders of simply incredibly large print runs), you realistically aren't going to be getting huge discounts on print jobs. But, a) it doesn't hurt to ask, and b)knowing what you're talking about will help you be able to accurately compare different printers and their services.

So basic terminology:
Bleed - your printed image has a bleed if anything printed (text, design, background color, whatever) runs to the edge of the card. Instead of slowing everything down and trying to print right to an edge, what printers do is they print larger than the final size, then cut the card down to the final, or trim, size.

4/0, 1/1, etc., etc. Any number over another number (in x/y form) refers to the numbers of colors of ink on the front of the card, then the number of colors on the back of the card. If you wanted a two color image printed on the front of the card, and your logo in black and white on the back, you would request a quote for 2/1.

Full color (like a color photo) will usually be printed in CMYK (cyan, magenta, yellow, and key aka black). So even though your illustration might have yellows and purples and reds and greens, and everything in between, when you request a quote for a single-sided poster, you're asking for a 4/0 print job.

If there's an option for scoring, or the process of making a crease or foldline, you don't need it unless you're doing something with folds.

Perhaps you've heard the words "offset" and "digital" printing thrown around. Offset printing is a printing method that offers more consistent printing, highly accurate color matching, and is great for high volume runs. Digital printing on a commercial scale is really just a really awesome inkjet printer. While it might not sound as awesome, it is usually way more affordable for smaller (~100-200) jobs. The quality of digital printing has also improved dramatically over the past couple of years, and the quality difference that I've personally seen is pretty slim, but to be perfectly honest I don't get a lot of things offset printed besides business cards.

PMS stands for the Pantone Matching System. This is the industry-standard of color and color matching. Pantone produces books of swatches that any commercial printer worth doing business with will have. If you are getting an offset run done of just a few colors, you can specify which PMS colors you want them printed in, and since the presses use pantone colors, you'll get exactly what you're looking for. With digital printing, they'll combine CMYK the best they can to get the color you want, but really bright, saturated colors usually come out more muted than expected.


You'll also want to specify your paper weight (if you have a preference) and/or paper brand, etc. Ask about PCW (or post-consumer recycled waste) if you're interested in finding out how much recycled content is in your paper choices as well.

So, with all that in mind, the quote I requested for some wedding invitations I recently designed went something along these lines:

Hello! I would like a quote for 100 5"x7" invitations printed 4/0 with a full bleed on 130 lb. Mohawk Options iTone stock without envelopes. Additionally, I also need 100 4"x6" RSVP postcards printed 4/4 full bleed on the same stock without envelopes. Also, what size bleed do you need? Thanks a lot!

I asked for a specific stock because a)I sent this to a printer I've worked with before, b)I wanted a 100% PCW paper and Mohawk Options is one of the few papers I know about that has pure white, heavy cardstock that's 100% PCW, and c)I know they print on HP Indigo printers, and the iTone stock is designed specifically for the Indigo.

Anyhoo, I know that's probably a lot of information, and it's just the tip of the iceberg in terms of getting things printed (I didn't even mention screenprinting, letterpress, or engraving), but hopefully that'll get you on your way to learning more about paper, and printing. If you have any questions about commercial printing, please feel free to ask and I'll do my best to help you out!

PS - Happy Birthday Monkey's Dad!

Friday Promo!

To kick off the weekend, Monkey + Seal is pleased to offer 15% off to all blog readers over the weekend! Buy anything between now and 11:59 PM PST at our Etsy shop and enter "PENGUIN" in the "Message to Seller" field and you'll get a Paypal refund for 10% of your pre-tax/pre-shipping purchase!

Samples of our fine wares include:

The ever populare Bad Date Zine Issue 2:

Seal's Swamp Treehouse print:

The award-winning "Delicatessen" illustration:

Monkey's squid print:

Thanks for stopping by and happy shopping!

Seal's Gouache In Progress

Seal has been hard at work sharpening her gouache skills to prep for her weekend-long demo at the SF Zine Fest. She's currently working on some smaller paintings to sell/make glicees from. She's still working on this one, but here's a sneak peek!


(from L to Right): Gouache work in progress, original pencil sketch, digital color over pencil sketch

Print sale!

We're currently running a sale on our Etsy shop. We're pricing this Jackalope serigraph (fine art silkscreen print) at over half-off to get these suckers out the door! Go go now!