Saturday, January 9, 2010

Process: Designing and Finding Inspiration Everywhere

This is Monkey here, and today I'll be talking about the design of my personal business cards which led to a new diptych of paintings.

So first off, for whatever reason, whether it be the creepiness or the iconography or just weirdness, I've always associated myself with skulls. My old logo was something like this:
So it was natural that when I was designing ties, I came up with this:
So, I ended up designing the front of my business card to look like this:
Using a scan of the original tie design, I changed up the crossbones to be paintbrushes, added a splatter texture that I created a while back by soaking a brush in ink and just going at a large sheet of paper. After scanning and saving it, I now have a really awesome, natural-looking texture that I can whip out whenever I need that grunge look.

So then, I realized that I probably should put a photo of my painting on my business card, since a)that's what most artists do, and b)it makes sense to show off your work. However, I was torn as I really liked the pink and black design with the skulls and the "create or die" underneath it (a motto I plan to live by). Then, inspiration hit. Duh, why don't I just do a painting of the "create or die" dealy? (slaps forehead). Duh.

In my paintings (most of which are not up on my website yet -_- ) I deal with the exploration of the hierarchy between text and image, realism and graphic representation, order of words altering meanings, and the nuances of language. So, it came to me that by having the order of the words be "create" then "die," it gives the reader the idea that I'm advocating the creation over the dying. I thought it would be then interesting to use almost the same image but switching the words around. I also wanted to keep the numbers of letters the same in the first and second word, so then I did another painting that says "death or art."

Believe it or not, these are the same color..stupid weird lighting in my apartment..

The top photo is longer cuz I formatted it for business cards and had to get clever with the stamp tool in photoshop to extend the canvas border.

I then decided to use a contrasting color (well, not a perfect contrast, but you get the point) on the back. I brought in the original grunge text, added some hand-drawn elements, and here you've got the back of my card:
Anyway, I guess what the point of all this was to highlight how what seem like problems or setbacks can be the best (although unlikely) place to find inspiration. I ended up not having to compromise my original design and ended up with not only a business card design but also two new paintings. Often I get the biggest inspiration when I'm frustrated or completely at my wit's end when dealing with a problem.

Instead of trying to bash your way through problems (as tempting as that may be, especially for me), I find that staying fluid and constantly looking for new ways of viewing your problem can lead to unexpected and novel solutions. Also, I like to think across mediums. From what started as a tie design led to a new logo which led to a new business card which led to two new paintings. Think about some cool doodles you already have. Maybe that's your next painting or postcard design. Anyway, I hope this was informative and helpful!

Friday, January 8, 2010

Monkey's Ties are up in the shop!

After only about a month of procrastination/delays/the holiday monster/etc., Monkey has finally gotten all five of his necktie designs up in our shop!

While the designing and printing of the ties are great fun, even more fun was the photoshoot! Monkey had Seal take photos of him doing silly poses, looking all grim and whatnot. We have compiled all of the staged shots here for your viewing pleasure. Which one is your favorite? Also, if any of you are talent scouts looking for male models, Monkey is interested :P

Have a great Friday everyone!





Wednesday, January 6, 2010

Isn't this ironic?


So while stopping at a Safeway in Stockton (the most miserable city in America and Monkey's birthplace) over the holidays, we snapped this quick photo of two reusable shopping bags being sold next to each other. One features a nice happy cow feeding in a pasture while the other is a "rough and tough" display of different slices of beef (aka different pieces of meat cut from a cow). Perhaps they are doing a "little bit of something for everyone" type of visual merchandising?

Monday, January 4, 2010

Happy New Year!


Happy New Year everyone!

As 2009 went right on by, we want to welcome in 2010 in what we're hoping will be an awesome year!

We hope that everyone out there has already set some goals for the year and we thought we'd share some of our broader goals:

-Curating a successful gallery show
-Commercial success at all craft/anime/comic festivals (especially at APE)
-Being able to live off the money we make from our art
-Drawing/Painting every day
-Posting at least one new item in our Etsy shop per week
-Each of us publishing our own art books
-One new comic each
-Bad Date Zine 3!

We're definitely working (a bit late, however) on our own "annual review" of sorts to really go through and figure out a definite action plan for 2010. Monkey got the idea from Chris Guillerbeau, the man behind the Art of Non-Conformity. You can even download his template that he uses for his Annual Review here.

What goals have you set for 2010?

Wednesday, December 23, 2009

Happy Holidays!

So we don't know about you, but over at the Monkey + Seal studio things are a bit hectic preparing for the madness that is December 25th.

Anyhoo, Monkey and Seal are going to take a little bit of a break from posting on the bloggy. We need to take a bit of time for ourselves and to get ramped up for all the new goodness that we have planned for 2010. We'll be back Monday January 4th with our usual MWFSa posting schedule!

Thanks again for all your support and we hope to bring you bigger and better events, art, products, and blog posts in the New Year!

Cheers,
Monkey + Seal (Rick & Eve)

PS - Don't forget to mark your calendars for the Animation On Display expo on January 30-31! We'll be in the artists' alley!

Monday, December 21, 2009

Monkey's Silkscreen Book, pt. 1

So in Monkey's last semester of study at the Academy of Art, he took a silkscreen portfolio class. Never having attempted to work on a single project an entire 15 weeks, Monkey was often frustrated and wanted to do other projects. While he ended up doing lots of prints on the side, he nevertheless buckled down and finished a twelve double-sided page looseleaf book (so 24 pages in all).



All the pages pinned up for the final class.

The book is a reproduction of a fictional biologist who lives in a world (Buuterra) that has just discovered flight. Centered in this world is a huge mountain range that is too high for anyone (until now) to climb. When the scientists (including the biologist's mentor) on the maiden voyage of the first airship goes missing, this biologist is recruited to go after them to find out what happened to his mentor and what strange creatures lie beyond the foggy peaks of the mountains.


The map of the Heart of Buuterra, where the story takes place.

Part fractured novel, part naturalist's sketch book, Monkey's book project was printed in an edition of 10, with 1 Artist's proof book. They are bound loose leaf in a faux leather portfolio. The books run for $330 and will be up on Etsy within the next week or so (which really translates into: sometime before the new year).

Stay tuned for part 2 of this post that will have scans of many of the pages, including the full text of the first two pages which set the background for the entire story.

In other Monkey news, Seal just gave Monkey a haircut, as he was growing more and more woodwose/wildman like, and needed a trim. Many thanks to Seal for doing a great job at grooming the Monkey!
A quarter way to Cousin It.

Trimmed and back to civilization.

Saturday, December 19, 2009

Process: Using References for your drawings


Below is Seal's animation layout drawing of a surfer's beach hut in Hawaii. She didn't know how to draw a beach hut or what specific shape made a beach hut different than any other dwelling. As an artist, Seal uses a lot of references to give her drawings believability. There is a delicate balance between being too reliant and copying a reference to being inspired and studying a reference while finding your own unique visual language.


Below is an example of a reference sheet that Seal used for the shape of the beach hut rooftop. Notice that Seal took on a similar shape, but not exactly. It is in the spirit of a beach hut. She simplified the hut so it would resemble more of an everyday average person's surfer hut and hangout, not necessarily to live in it. She also used references to get basic feel of the tiki and foliages that can be found in Hawaii.


Even Monkey, who is a lot more loose in his artwork, still uses reference. Even something as loose as his Panda Rage print was still based on photo reference.
Even though he had seen many pandas, Monkey wanted to make sure that he put the fur coloring in all the right places. Yes, pandas have a very distinctive color pattern on their fur, and if you don't follow that, you'll end up with something that may or may not read as a panda. However, the claws are exaggerated, but part of making art is experimenting on what features you can and cannot push and exaggerate or modify and have your visual message still come across.

Both Seal and Monkey use fun google image searches in order to find reference, but because they are usually copyrighted images, they only use them to get basic ideas of shapes, design patterns, and compositions. However, nothing beats taking your own photos, as then you can use the photos however you please, as you the photographer own the images. We highly encourage doing this as much as possible, and we often find that when drawing certain poses or angles, it's much faster to take a photo ourselves than it is to try and find that perfect photo on the web.

Have fun, and go get inspired (but don't copy!)