Don't Hold Anything Back

Monkey talks a lot about business sometimes, but even more important over the course of your entire life is the art itself.  Too often we might focus on what is going to take us to the path of the "professional" artist the fastest, when we ignore what might be best for our inner artist in the long run.

We often talk about the "hustle" and the drive to make sure that you get your art out there.  We talk about marketing (Monkey even wrote a book on selling your art), but we want to take this opportunity to emphasize on how important it is to nourish your inner artist's soul.

Yes, we all need to make money, and yes, if we can make money off our art, then we can do more of what we love.  That's why Monkey is always on your case to get your hustle on.  BUT!  The sneaky seemingly perplexing truth of it all is that you have to do more of what you love regardless of your circumstances.  Jobs and opportunities and all that stuff follows if you just do what you love.

Sure, this may sound new-age hocus-pocusy wackiness, but it's true.  The one minor huge caveat is that you can't hold anything back.  If painting is what you love, and you're trying to do a specific style, or if you're trying to stay focused on one single thing (when you don't really want to focus), then you're holding back.  If you feel this overwhelming urge to paint an elephant playing soccer but you have to finish your homework, you're holding back.  If you desperately need to paint something dark and painful from your past, but are afraid to, you're holding back.  If you let people tell you "you're too ____," or "you're not  ____ enough," or "your work is missing ____," and you believe them, you're holding something back.

So you've got to take your brush in your hand and let it explode.  Don't hold anything back.  If you need to attack the canvas, do so.  If you need to coax out the art with a gentle touch, do so.  Whatever form it takes, by embracing that uniqueness, that essence that is undeniably YOU, let it out.  For better or worse, by inhibiting what you really want to do, you'll never really reach the heights that you were meant to soar to.

So while you may feel the pressure to get your hustle on, that is even more of a reason why you need to embrace your inner artist and really let it rip.  Don't hold back.  We know it's scary as hell, but if you're going to dive in, you have to dive deep and really let yourself explode into the awesome artist that we know you are.

So get out there and don't hold anything back.

Take a Small, Creative Action Today

So while we could talk about how our newest Mr. Owl silkscreen print is up in our shop, but today we wanted to focus on taking action.

While we talked a lot about creating a concrete business plan in terms of if you're looking to make a career out of art, sometimes once you create that plan things get a bit..overwhelming.  Maybe you've realized that you're selling yourself short by pricing too low, or that maybe you've been marketing to the wrong demographic all along, or maybe your head is spinning and you just want life to be simple again.

Whatever it is, take a deep breath, and take a step back.  Sure, having a plan is great, and is the easiest blueprint to achieving a goal. However, part of creating is letting that rigidity go and just doing whatever you need to do.

Yes, this sounds contradictory - how are you supposed to have a plan, but not pay attention to it?  Well, we're not saying that you should abandon said plan, but if it's impeding in your creating, then you might need to push that plan to the backburner.

Monkey, being the business-focused one of us, tends to sometimes get too caught up in the business side of art.  He starts making crazy budget spreadsheets and starts going blind looking at google analytics and just get a bit nutso trying to figure out how to hustle some art.  Seal then sees that Monkey is working himself into a frenzy of madness and stress and she reminds him to just calm down and to create.

Really, while you need a plan to act as your framework, if you spend all your time fretting over how many paintings you need to sell, you're losing sight of what you probably really want - to be able to making a living doing what you love.  Monkey tends to think TOO much about the "how" when he really should be painting, or working on a comic, or doing what he really wants to be doing.

So make sure that you start up a habit of doing some small, creative action today.  Even if you're in the midsts of writing your marketing plan, or doing your finances, or tackling some bureaucracy, make sure that you get a thumbnail sketch down, or a doodle, or just work on that masterpiece for 15 minutes.  Strum something out on your guitar, or rehearse that choreography.  Whatever it is, make sure that you don't lose sight of what should be the real important thing - creation.

SF Zine Fest - Our First Show

This weekend we'll be vending at the 11th Annual San Francisco Zine Fest.  Held in the SF County Fair Building at 9th and Lincoln, the Zine Fest always holds a special place in our hearts.

The Zine Fest was our first foray into any sort of vending situation, and we only got into it because Monkey's manager at his retail job was the chief organizer.  Monkey started helping out organizing the event, and soon Monkey + Seal was born.  We really ended up coming up with the name in a sort of spur-of-the-moment panic as we realized we had to turn in something for registration.  

When we first started, we didn't have shirts, or prints, or ties.  We didn't accept credit cards, or have originals for sale.  Heck, at the time, we didn't really even know how to paint.  We managed to get a stamp made, and literally stamped all our business cards for that show.  

All we had were two mini-comics and two zines. And a few left-over buttons. We still sell some of them, and they've sort of become Monkey + Seal classics: The Story of Seal, and The Bad Date Zine, Vol. 1.  Seal finished her comic the night before, and we ended up going to the 24-hour FedEx Kinko's down in the financial district around 2am in order to print and trim the comics in time.

We didn't have a tablecloth, so we grabbed a big piece of green felt that we originally bought to make stuffed monsters.  Now, our bright green tablecloth (along with the bright, saturated neckties that we sell) is usually how people find us.  

Monkey assisted in a bookbinding workshop with the amazing Aaron Cohick of New Lights Press, his first workshop teaching experience ever.  Now Monkey has taught screenprinting, bookbinding, and is teaching a Marketing for Artists class this year.  He's also gone on to run the workshop program at Big Umbrella Studios.  

We've also met a lot of great people at Zine Fest, and we think you can really feel the communal, supportive atmosphere at the Fest.  I think among artists, there is generally a supportive vibe, but at some of the bigger shows more money can be at stake and sometimes a competitive vibe and big egos can creep in.  

So while its too late to get a table (or half table) at this year's Fest, we highly recommend getting on the mailing list so you can be first to sign-up next year.  There's also no jury (unlike a lot of the bigger shows), so it's good chance to get your art out there in a safe space. 

So we hope you join us at the Zine Fest this year (this is our fifth year vending) to share in a bit of the creative magic.  Come and get some ideas, see how little you need to get going pursing your dream.  And of course, there's always Monkey's Marketing for Artists Workshop Saturday at 1pm to look forward to as well.  It's free!

Hope to see you all there!

Nourishing Your Creative Soul, Or How to Avoid Becoming a Crack Fiend

Often times we can get caught up in doing what we have to do, whether that's pay the bills, or cook dinner, or go to work.  We have outside obligations, rent to pay, etc. etc.  However, as artists, sometimes you get a sudden wave of inspiration, or maybe you've just been putting off creating for too long, and every fiber of your being screams "Create!"

In these cases, unless it's not totally dire (and really, how bad will it be to take an hour off before doing the laundry?) you need to take care of your inner artist and make something.  If you don't nourish your artistic soul, you may find that you'll end up like a crack junkie.  How?  Let us explain.

Scientific studies have shown that if people have a finite amount of mental capacity (we'll call it 'brain juice.')  When you're working on memorizing the alphabet backwards, you're using up brain juice.  When you're doing a calculus problem, or trying to draw a 2-foot straight line freehand, or are trying to juggle ten different client accounts and write five urgent emails, you're using up brain juice.  You only really have so much, so when you're super mentally exhausted (ie, running low on brain juice), you don't have any brain juice to make good decisions.

Still with us? Heavy mental strain = bad decisions.  Cool.  We'll get to the crack addiction in a minute.

So when you feel that urge to create, and you don't listen to it, you're really spending brain juice to fight that primal instinct you have to do what you love to do.  Of course you'd rather be creating that making spreadsheets.  Of course you'd rather paint than write all those emails, or practice your trumpet rather than file all those receipts.  So when you fight down the urge to do something creative in deference for some other task, you're using up twice the brain juice.  Not only are you using the brain juice to do the task, but you're also fighting down your inner spirit that's trying to make something awesome.

If you're out of brain juice because you're trying not to create, then you could very well make some terrible decisions.  What if you're finalizing that cost-benefit analysis when you really wanted to work on that novel and then a co-worker asks you to a bar after work, and then you go and get drunk, then someone offers you crack and you try it, and then you get addicted and end up losing everything and living on the street addicted to crack?  What would you do then?  Well, you'd be doing crack, but besides that?  Nothing, that's what, so if you want to avoid becoming a crack fiend, then nourish that creative soul!

"But Monkey + Seal, what do I do?" you might ask, "I really have to file my taxes, I can't just stop and write my novel, the IRS will take away my house and I'll still end up addicted to crack!"  Well friends, we're not advocating you to drop everything forever.

We all understand that you have obligations.  Everyone does.  We do, so do you.  However, when your inner artist is screaming to create and you won't let it, you're doing yourself a serious disservice.  You see, when you desperately want to paint, or sing, or write, or dance, you don't have to do it full force.  If you're looking to write a novel, maybe take a 10-minute coffee break at your desk, writing out some dialogue. Or if you're looking to produce a mammoth of a graphic novel, start slow and maybe sketch out the layout for a page while you're at lunch.

The trick here is to give yourself little bits of the good stuff.  Ideally, you could just stop and sit down and make your magic happen (because remember, what you do IS magic), but the reality of it is that most of us can't do that.  So feed your inner artist little art snacks here and there, and you'll find that you'll feel much more rested, happy, and you'll feel less guilt about not creating as well.

Ideally you can even schedule times to create so that your inner artist will never feel so totally deprived that your brain shuts down and you start doing illicit narcotics.  By taking a few hours out of the week in order to make sure that you're still creating, you can plant the seeds that will grow into a more productive, creative, crack-free life.

Overcoming Artist Block: Shame

When I was in high school, I told my school counselor that I wanted to be an art director. She handed me some pamphlets for technical schools around the city and with pity in her voice, suggested that I should consider nursing or being a mechanic.

I tried not to listen. I took my very first film class at city college and made my very first film project. Looking back, it was the beginning of my experimentation with cinematography and the bud of my love for storytelling. The film I made was a 10 minute clip of a "cat-and-mouse" chase between a spy agent and ninja thief.

Granted it was my first film, the editing was a bit crude,  and I was on a steep learning curve. . .but
I was very proud that I had created something out of nothing. I had created a story out of 8mm tape and a camera. I showed it to my boyfriend at the time.

He laughed. He rewinded the tape and laughed again. The sound from my film was drowned by his laughter. My film wasn't supposed to be funny at all. "You've got a long way to go," he added.

I tried not to listen. My film teacher acknowledged my camera skills. He wanted me to help him with his storyboards for a commercial pitch he was putting together for "famous tv executives." I thought it was my chance to break into the field and learn from someone who was a professional. Then I found out that he was fired from his last studio, had to take up a gig teaching at city college, and was desperate to break in again. He also made a comment about the color of my skirt. Was it my talent and help did he want or was it something else?

I tried not to listen.

Though I kept getting back up, each incidents chiseled at my budding young artist self. By the time I realized what was happening, it was too late. I was blocked. I hadn't picked up a camera in seven years.

Most artist blocks are grown from toxic shame. As artists we are often shamed into silence. "You think yourself an artist? Don't make me laugh." "Just who do you think you are?!" "How dare you disturb the lineage of doctors, bankers, lawyers, etc in our family?" "How dare you write and paint stories about your own life, think of your parents!" "how dare you make that? (it's awful, lacks substance, it's kitch)" "How dare you make anything at all?" "How dare you make monsters? That's creepy and no one will want it hung in their living room."  "How dare you paint in that weird style when James Jean is what's in." "What will the neighbors say about you going to art school?"

Being artists often means being visible. We are bringing to light stories about ourselves, our cat, our mom, our neighbors, about our country, the state of human beings, the world, things that people don't want to hear. Don't want to see. And being visible scares people. We "draw from our own experience and we draw our experience" (Julia Cameron) and people often don't want to face the truth of what we are projecting in our art. So they try to sweep it under the rug. With a smirk, a scoff, a pity, a laugh, with some under-the-breath words that are painful to feel.

So we hide ourselves. For our own safety, we bundle up our artist self and hide her under the bed until it is safe to come back out. We lock her up and throw away the key for until when we think society will be ready for us. And so we wait.

We wait. The artist self knows the waiting game all too well. Wait until I make that big break, then people will recognize me. They will value me. They will not dare treat me like that again. Wait until my parents accept my art, then I can become an artist. Wait until the kids are old enough, then I can take some classes at city college. Wait till I have more money for a better art equipment, then I can finally tell my grand story. Wait till I polish my skills in secret, so that he may never laugh at me again.

But the problem is, it is no one's job to give us the signal that it is safe now. The power is in our hands. We cannot wait until our mothers, uncles, lovers, teachers or the art world recognize us and allow us to make our art. The signal may never come. Your artist self may be dead by the time we open up the closet again. So it's time to take her out. Give her a big hug. Assure her that she is safe to make art now. She will be protected from nay-sayers. That she has the power, right now, to choose yes to life. Yes to art. She has the power. And she does dare disturb the universe. She dares to make art.

And you can too. Shame can be broken when the experience is brought to light, in full honesty, to supporters, therapists, or artist-friendly people like Monkey + Seal who understand the pain of creating. The doubts and the intimacy of making art needs to continually be nurtured. Take a step forward today, even if it is awkward, even if you've forgotten how to draw, write, knit, make one small commitment to re-awaken your dreams within. It is never too late. And you are not alone. You can do this. You have the power to step forward.

The Power of "Just a Little Bit More"

"I will not fail my friends..just a little bit more..."

In our everyday lives, we often slide down the slippery slope of mediocrity.  Whether it's sleeping in "just a little bit more" or it's "just a little bit more" before you turn off facebook and get back to creating,   "just a little bit more" ends up rolling into a huge pile of procrastination.  This, in turn, transforms itself into a barrier from you becoming extraordinary.

While there is nothing wrong with being ordinary, if you really wanted to be ordinary, I doubt you'd be reading this.  You're here because you hate that feeling of mediocrity that we all get (no seriously, from painters who are known the world over to Monkey + Seal) from time to time.

That dull feeling of not doing enough, that there is not enough time, that your work isn't ______ enough, that you don't know the right people or that it's just so damn hard to get up and stop watching anime and crappy horror movies on Netflix.  Mediocrity is that feeling of "just a little bit more" of watching television, or playing video games.

While we always want everyone to stay healthy and be sustainable, don't confuse sustainability with procrastination.  Also, while we believe that everyone will make it to their dreams someday, you can make "someday" come a lot sooner if you hustle and get down to creating.

So how do you defeat "just a little bit more" and move on to realizing your amazing true self?   We admit, it's especially hard since it's so easy to ride that slippery slope into "just one more," then "just one more," on repeat until you have bed sores and your eyes are burning from too much exposure to computer monitor radiation.  Well, you don't.  The thing that you change is what you do "just a little bit" more.

When it's late at night and you're working on a painting, think "just a little bit more."  When you're dancing and your legs are getting tired but you're wondering when you should quit, think "just a little bit more."

Overnight, no one goes from unknown to mega-celebrity, from student to master, from hobbyist to professional.  No one goes from being shy about your art to speaking about it in front of curators, or from getting stage fright to completely owning a stage without hard work.

We get it.  Doing stuff that helps realize your true potential is really difficult work.  You have to do things that you know you should be doing even though they might make you feel uncomfortable.  But if you do them "just a little bit more," they'll become easier and easier.  So try pushing yourself "just a little bit more" and start to realize that badass artist that you really are.

Top 3 Reasons To Be A Solo Artist

Some say that it's better to go it alone in life.  After all, you only have yourself to take care of, nothing to hold you down, and plus you get to take all the credit for yourself.  Who would want to find a close-knit, supportive community of artists?  Who wants artist friends or a support group of others who have been there and done that?

We assume you don't, so today, we wanted to bring you the top 3 Reasons Why You Shouldn't Find An Artist Community.

1.  You Don't Want To Get Far

Finding a community of artists, whether it's in person or via online, usually helps you create connections with other artists.  Monkey + Seal have found that through these connections, we've been able to both help careers along, as well as be helped ourselves.  Through our networks, we've found jobs, gigs, cool new opportunities, and friends.  So if you don't want any of that, and you want to slave away by yourself doing everything the hardest way possible, please, by all means, stay away from communities.

By communities, we mean don't find friends who like to go to gallery openings, or don't join online communities like Deviant Art or various Facebook and LinkedIn Groups.  If you went to art school, make sure you cut off all contact with your classmates and former teachers, and don't take part in any alumni groups or meet-ups.

For the love of all that is holy, make sure you stay away from communal art groups, or drawing meet-ups, or any sort of art making that might happen in a public place with other people - these are the most dangerous of all if you want to fly solo.

2.  You Enjoy Artists' Block

Often times, when we get stuck in the process of creating, besides pushing through it, an easy way to get past it is to find new inspiration, or ask for help from other artists who you trust.  We're sure you can see where we're going with this.

If you enjoy the gut-wrenching frustration of Artists' Block, be sure to not make other artist friends who you can get opinions from.  Definitely don't live with another artist, as we've found that living together has shattered our Artists' Block countless times.

Other artists provide new insights into our own work, or perhaps they might share a resource that might inspire you or give you more information that you needed to push through.  Maybe a fresh pair of eyes might help that composition you were struggling with, or maybe they've worked with an epoxy that might help out your sagging sculpture that you've been fighting.

So please, if you just absolutely love getting stuck and not being able to get past the block that stops you, make sure that you don't make other friends who are artists!

3. You Love Feeling Unsafe and Like Poop

Multiple rejections are a part of being a professional artist.  Our field is highly subjective, and having a barrage of blows to your self-confidence can be crippling if you're by yourself.  Obviously, if you love feeling beat down and potentially scared to make art, having a group of like-minded people alongside you to remind you that your art IS VALUABLE and IS IMPORTANT would not be your cup of tea.

Having a network of other people who have been there, or are there fighting alongside you can help restore your confidence.  Hearing stories of successful artist friends who have also been rejected or have had to submit portfolios again and again to finally land that dream job can really help someone who is going through the rough time that being an artist can entail.  So if you don't like to feel great and be reminded about how totally subjective our field is, then please, stay away from artist communities.

You need to be especially wary of having good artist friends who are willing to honestly and safely critique your work when you are trying new things.  Whether it's a new style, subject matter, or new medium, showing it to your core group of trusted artist homies probably isn't a good thing if you want to be ruthlessly beat down and told you suck.  If you want to feel like crap, create for a void, where you will have no one to validate your ideas, and you can let that monstrous whirlwind of self-doubt win out over your logical mind and crush your artistic dreams forever.

So please, dear artists, if you have any disregard for your own artist's soul, your artistic well-being, your ability to create, or your professional career, please, stay away from finding your tribe.  Don't make close friends who you can trust to nurture your art and your vision.  Stay away from artist communities that foster new work and will help you grow both as an artist and a professional.  Please, please, please do not continue to read this blog, as Monkey + Seal are working to create a new community of artists who are supportive and caring over competitive and criticizing.  Don't look for our new updates on how to become members of the upcoming online cabal of artists!