Friday, October 15, 2010

Monkey = APE?



This weekend, Monkey + Seal will be showing at the Alternative Press Expo (aka APE) at booth 532 (see map below)!!! We'll be showing alongside other SF Zine Fest co-organizers Family Style (booth 207) and Two Fine Chaps (booth 305) and Goteblud (booth 428).


There will be plenty of other awesome exhibitors as well, and the workshops this year will be all focused on creating comics! Monkey will definitely be trying to sneak away to go check some of those out!

Monkey will be showing off his new crude/rude/crazy comic "The New Tweeb Bible of Sensitive Emotional Feelings about Sensitive Feelings, or, Wholesome Parables to Live Your Life By, also known as (A.K.A.) The Nu Mortality (on Sexy-time with Animals), a Collection of Comics by Rick Kitagawa," which possibly has the longest title for a mini-comic ever (and actually has nothing to do with bestiality). He'll also be selling some new postcards of his art, and of course we'll have our screenprinted shirts and ties, and Seal's fine art prints.

Tuesday, October 12, 2010

Is your life and your art meaningful?

Creating Meaning:

Seal here.

What is your purpose in life? It's a loaded question, but once you figure that out, you will find the passion and drive in your art to overcome any obstacle. So, isn't it important enough to know?

Most people, Seal too, confuses meaning with goals. Goals are things you want to accomplish. Meaning is why you want to accomplish these goals. Is your life meaningful? In other words, is your life full of meaning? Is there a reason you get up every day?

Many people have come to Seal with frenetic passion and exclaim their goal: I want to make a comic, a novel, a book, a painting about ____ (blank). My next question usually consists of genuine encouragements and then the dreaded question: "why? what drives you to write that particular story? ... what is your purpose behind this work of art? what is this story REALLY about?"

Recently I wanted to do a painting about an ancient wasteland inhabited by old robots. But when I ask myself why, it took me awhile to find the answer. At first it was, "oh, I don't know. Everyone loves robots and ancient ruins. It looks cool." So I kept asking "why do I want to do this painting? What is the drive behind this painting?" "Why is it so important?" Eventually, I came down to the following answer: I wanted to depict my experiences of abandonment growing up in a household of working parents.Having also survived civil wars in the homeland country, they were emotionally drained and detached towards my sister and me." This was, of course, a far cry from my robots in a wasteland. . . but is it, really? Now that I understand the "meaning" and reason behind this painting, I can fully let my passions out. The robots become something more. It is a statement about myself. It also becomes easier to complete. Because every day I look forward to meeting and conversing with myself within the painting.

I think people often get the wrong idea when I say meaning. They think their meaning has to be "deep" or "grandiose." Monkey can draw monsters and it is still full of meaning. Because he is living truthfully to who he is. He is genuinely doing work for himself and living life with intention and honesty about what he wants to do. He faces his art head on, without apologies or compromises. When he is not drawing or painting, he comforts Seal and supports her dreams. They go on adventures and discover new things. Sometimes they hit a wall and overcome it. He also works passionately for equality and justice by donating his time to teach workshops or donating proceeds from his art. These are some of the many more reasons for why he exists on this earth.

It is simply living day to day with intention. Sometimes, the meaning in my day is as simple as: I would like to make someone laugh, then I draw a squiggly drawing of a penguin inside of a toilet bowl. Sometimes, it's something along the lines of I want to make my friends happy with a delicious meal, a dish I've never cooked before (so I have to research new dishes and learn something new). Those are the day to day meaning. You also need to know what is the overarching meaning to your life. For me, I create art that tell a truth about myself, whether literally or allegorically, in hopes that it resonates with people. It is my meaning, to also lead other people to their dreams. So I also hope to mentor and be mentored by other artists. Meanings sometimes change. As teenagers, (not all of us) but probably we had hoped to learn as much as possible, find friends, and a person to love and be loved. As adults, we tend to want to pass on our knowledge and experiences. As I grow older, sometimes it's simply to share more time with Monkey, friends, and family.

One way to know what your meaning is to ask several questions, here are some to begin with:
  1. what makes me happy?
  2. what do i look forward to every day?
  3. what are some things I truly enjoy doing? (time passes and you don't even know it)
  4. what are my gifts (art, intelligence, listening, etc).
  5. how can I utilize my gifts to get genuine satisfaction out of life? (it can be simply, entertaining people, fighting for a cause, using your gifts to donate to a cause, teach aspiring artists, etc).
Making meaning is scary. It means that you matter. You matter to the world. And what you create matters. That's scary because it also means that you are charged with the important task of making a mark in your everyday world. However big or small.

I'm a firm believer that each individual is put here on earth to do a task. Most likely this task is something that only you can achieve. Only your voice can reach and say your story. Will you take this challenge?

"You decide to matter, to live a principled, creative, active life in support of your cherished ideals, to manifest your potential, to do work,[ . . .] do not presume that your life matters on a cosmic scale or that your efforts will move mountains [although, they might] But in short, it is to make your life meaningful at least to you." - Eric Maisel

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For further reading:

Fearless Creating by Eric Maisel

Monday, October 11, 2010

Gotta Do What You Love

Creepy? Disturbing? Monkey hopes so.

Monkey here:

After a long talk with Seal late Saturday night, I came to the realization about two things - I am extremely lucky to have a strong support system in place (ie Seal + friends), and that I've been unconsciously preventing myself from doing the type of art that I really want to do.

From an early age I've always been fascinated and enthralled by monsters. I had a huge book (similar to the size of my collegiate calculus textbook) about nearly every film monster that graced the screen until the mid-80's. I was reading Stephen King at 7, and the illustrations from the Scary Stories trilogy haunted my dreams.

Even to this day, great horror films are some of my favorite films ever. 28 Days Later and Let the Right One In are masterpieces. I also have a place in my heart for films like Aliens, Tremors, Predator, The Fly (1986 version), and tons of B-movie horror flicks. I do take offense to some of the more recent slasher/torture-porn films in the last decade, but for the most part, no matter how bad a horror movie is, if I have the time, I'll watch it.

However, when it comes to art, I've been struggling with the notion that I have to make art that really touches people on a deeper level. I felt like I needed to really say something; to inspire or empower. I wanted to make a difference in the world through art. And until recently, I thought that this was in stark contrast to the horrific material that I was really longing to create.

Eve helped me realize that I was creating the dreaded false dichotomy - I was making it an either-or situation when that really wasn't the case. I could paint monsters and demons and still say something meaningful, or still reach people at an emotional level. I thought I needed to be more clever or funny or wise than everyone else through my work, when really I just want to paint a bunch of scary monsters.

Whether or not the work I produce in the future has lots of symbolism, metaphors, and deep social commentary doesn't really matter. Eve pointed out that horror and tragedy are art forms that are centuries old - people still liked them for a reason. These pieces can act as a catharsis for the audience, allowing them to feel horror, fear, and sorrow without really having to go through the terrible acts that cause it. The viewers can feel relieved after the film is over, thinking "I'm glad that wasn't me," and can be thankful for what they do have.

Additionally, I've decided that changing the world through art doesn't necessarily mean inspiring the next generation of leaders through my artwork per se. I can sell t-shirts with my designs on them to raise money for charities. I can donate paintings to charities for auctions, and teach classes for underprivileged youth. There is lots and lots to be done, it's just a matter of finding my own way to do it.

I've realized that the hardest thing is releasing the rhino. It takes looking at it from a new perspective, and not getting boxed into the way that you think things have to be. I can just draw child-eating mothers and swamp beasts and demonic cults sacrificing towns and still be able to make a positive change on the world. I've found that your own mind tends to be your biggest prison, and it's all about figuring out what key fits to let yourself free.

I hope my story will help in some way..if anything, if you're dealing with your own personal cages and dichotomies and thoughts on what your art should be or what you think the world wants - you're not alone.

In the end, you have to create for yourself.


Thanks to Eve and everyone else who has been really supportive in my pursuit of art. I realize how lucky I am and I hope that everyone can find that support for your work. Keep on keeping on, and we can all change the world together.

Friday, October 8, 2010

Releasing the Rhino


Monkey here:

So I'll be honest. I just came up with that phrase "releasing the rhino" right now, but I think it's pretty apt metaphor at what I wanted to talk about today. Plus, as part of Monkey + Seal, we like metaphors that deal with animals.

Many times, we carry around a lot of baggage. Whether it's familial responsibilities, loans, or a looming urgency to save the world, I know I tend to carry around a lot of crap that affects my art in negative ways.

I know that while constantly thinking about art as a business has its advantages, sometimes I get wrapped up in the money and that gets me thinking about my huge college loans, and that gets me worried about whether or not I'm good enough of an illustrator to get jobs, and etc. etc. etc., the downward spiral continues and then I start painting desperately to try and make money, rather than painting because it's what I love.

Let's call this huge force of negativity "the rhino." It's a stubborn, powerful beast that basically pulls you where you it wants to go, which is generally down and out. Whether it's money, or what you think your parents think of you, or what your peers think, or whatever it is, it can be frustrating and tiresome to fight the rhino. I mean, seriously, it's a RHINO for crying out loud, they're huge!

So, we have to learn how to release the rhino. I know this is hard to do, but it's the key to getting stuff done and being successful. The rhino can take what you, the real you, love, and turn it into something painful. If it's about acceptance and self-esteem, the rhino turns painting into just another thing they won't love you for. If it's about money, the rhino turns dancing into necessary, painful work. Once your love is turned into something painful by the rhino, it's hard to love it and you won't find that you enjoy it. At that point, why bother?

Well, you should bother because you love it. The pain isn't coming from what you like to do, it's coming from that giant rhino that's pulling you down and the straps are cutting into your shoulders and you're tired and grumpy and life stinks...because of the rhino!

So, cut it free. Release the rhino. How to do that is going to be different for everyone. Sometimes it's about taking a nap. Others it's yoga or meditation, or writing in journals, or playing a quick video game. Do whatever you have to do to center yourself and realize that to succeed at doing what you love, you have to love it.

It's not time to face the rhino yet. The rhino is like the last boss in the video game of life. You have to level up and gather courage and wisdom and experience and new tools and techniques before you can take on the rhino and finish the game and win your success. Just keep doing what you love, just to do it, and you'll find it's a lot easier to face the rhino later on.

In my case, I have to keep painting and experimenting and drawing because that's what I love to do. After I finish the illustrations and paintings, I then have the option to go and examine any business prospects - making prints, selling them at craft fairs, putting them in my portfolio, but that has to come after the art is done.

Are you fighting a rhino? Be honest. If you are, see what you can do about letting that beast go and get on with your love. How do you release the rhino?

Wednesday, October 6, 2010

Fighting for Equality


Our newest shirt: "Community:You're Not Alone"

Tyler Clementi, if you haven't heard yet, is one of many teens who have taken their own life recently as a result of anti-queer bullying. While the reasons that the media and the world has suddenly taken notice of the idea of LGBTQ (Lesbian, Gay, Bisexual, Transgender, Queer, and Questioning) youth committing suicide is up for debate (salon.com has a great take on it here), many are asking "What can we do about it?"

Well, there are a few things. You can make a video for the Dan Savage-created project "It Gets Better" and post it up on YouTube to let people know that it gets better. There is a huge community growing and it's inspiring to know that there IS a huge community out there and that it DOES get better.

For Monkey + Seal, we decided that beyond bullying, we need to change our culture of intolerance for the LGBTQ community, youths in particular. So, we've decided to do what we do best (make art), and donate 100% of the proceeds to the National Center for Lesbian Rights (NCLR). The NCLR has a deceptive name - they don't just fight for lesbians, but are actually on the forefront of nearly every major legal battle that sets monumental precedents to pave the way for equal rights for LGBTQ individuals. They are setting the stage to make laws that protect (not harm) the LGBTQ community, and (in our opinion) will make the structural change necessary to make it safe for everyone to live in their own skin. Pick up your shirt today right here!

Thus, we are pleased to present our newest t-shirt design, "Community: You're Not Alone."
The design large pink triangle made up of smaller, pink triangles of various shapes and sizes is meant to represent the queer community's diversity of ages, ethnicities, genders, sexual orientations, and body types. The solitary pink triangle is the individual, who feels isolated and alone, when the reality is that there is a large community to stand with - it's just a matter of finding them and reaching out.

You are not alone and believe us - it does get better. If you or someone close to you are feeling like you can't go on, please call the National Suicide Hotline at 1-800-784-2433.

Monday, October 4, 2010

You Can Have it All and Then Some

“What we can or cannot do, what we consider possible or impossible, is rarely a function of our true capability. It is more likely a function of our beliefs about who we are.” - Anthony Robbins

Seal here:

What if I were to say, no matter where you are in life, no matter how old you are, what your economic or educational background is, you can have it all and then some?

I know the skeptics in us, will start its rampage of defenses: "Of course you can't have it all. I'm 50 years old. I am in debt. I have no money or food. How dare you try to get me to hope on something I cannot possibly be or have." You will think I am crazy. You may be even afraid to believe in what I am about to say, but I am saying this out of experience: The very thing your heart desires, is very possible and very doable.

We often discount the possibilities and our own potential to accomplish what we desire most, if we simply try. We are afraid of looking like fools on an "impossible grandiose quest," so instead, we obsess about the odds against us. Rather than working on the novel, a page a day, and finally getting it published, we research the trends and decide that there is no market for our art. We put the novel away and go back to our daily grind. We put a marker on everything and label it: "impossible." Going to art school: impossible. Meeting and dating a wonderful partner: impossible. Getting a gallery to curate my art: impossible. Finishing my art in time for the art fair: impossible.

Then let me ask you this: has this limited belief, thinking, and behavior gotten you anywhere? Has it made you happy? Or allowed you to take the next step that can possibly lead you EXACTLY to your dreams?

I don't blame you. This is an old human trick. Our very biological impulses has made it hard for our to change or grow. Human life has survived on in-action. We stay safe in the cave. We do not go out, because out there -- it's scary. So we say, it is impossible to go outside of the cave. There is nothing beyond this cave. So we stay inside. We remain as we are. And we rot.

But aren't you curious? About what's outside of your own cave?

Isn't it egotistical to define the confines and limitations of what is possible in this world by human standards? Humans are merely babies in comparison to the immeasurable universe. There are galaxies beyond our own. So who's to say, what is possible? So how about that art class you've been thinking about? Seems easier to do than riding to the moon, right?

I invite you, for even just a moment, to entertain the possibility of your dreams. To do away with the word "impossible." Whatever you desire, it is possible. It is possible within my budget. It is possible within my time frame. It is possible to accomplish just as I am right now.

Beethoven was deaf when he composed his final symphony, the famous European Anthem "Ode to Joy," one of the best known works of the Western classical repertoire.

I can't speak for all of us, but most of have ears, haven't we? We have legs to stand on. And Hands to create with. Even if we're poor, we have napkins and cardboards to write on. So what's stopping you?

“So many of our dreams at first seem impossible, then they seem improbable, and then, when we summon the will, they soon become inevitable.” - Christopher Reeve

"Go confidently in the direction of your dreams, live the life you have imagined." - Thoreau


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The road to recovering your dreams:
Try these activities for starter:

1.) Take one sheet of blank paper, write on the Title "I want/ I desire." Now fill up both sides of the page. Your wishes can be big like an "art job" or it can be as small as a sticker. No censorship. Just write.

2.) Now take one of those wishes/ desires and focus on it's possibility. Take actions towards that goal. If it's an art job, how about searching the internet? Do you know anyone in the art field? (Monkey and Seal count). How about making a portfolio to apply for art jobs? If it's a sticker, go to your local Wallgreens, and buy one for $1.

Just writing down your desires, invoke the possibility of the universe. You'll start to find that "all matter of coincidences" will fall towards accomplishing your dream, if you simply focus and take actions towards it.

Good luck and know that you're not alone!

Friday, October 1, 2010

If you know what you want, then be specific


We all (hopefully) have goals and dreams. Whether it's living off your art (like Monkey + Seal's dream), or becoming the highest grossing actor ever, or being able to get 40 regular marshmallows in your mouth and still being able to say "chubby bunny," we often have some sort of benchmark or achievement that we are striving for.

Sometimes, your goal is specific. For example, to be the highest grossing actor ever, you need to start making tons of money through acting. Sometimes, if your goal is being an internationally-recognized artist, it might be a bit more nebulous. How many countries do you have to be known in? Who has to recognize you as an artist in said countries?

Monkey made this one of his goals a year back, hoping to be invited to show his paintings around the world by some of the largest lowbrow/pop surrealist galleries in places like Sao Paolo, Brazil, and Tokyo, Japan. However, he never really consciously stated that. He chose his goal to simply be "an internationally recognized artist."

When your goal is more of an internalized concept like Monkey's was, you'd be surprised as to how quickly you can achieve it. Monkey has been selling zines overseas for two years now via our Etsy site, and recently, he sold some ties and prints to some fans in Australia (thanks everyone!). Technically, he has now been recognized by someone as an artist outside the United States, thus qualifying him as an internationally-recognized artist.

Sure, that's not what Monkey really meant. It's not what you probably think of when you hear "internationally recognized artist," but the term is sort of a vague one. While Monkey is happy he hit this goal, he's made his goal more specific, and is still waiting to hear back from curators abroad.

The point of all this is that if you have a broad goal and are constantly working towards it, you may have already achieved it in a sense, without even knowing it. If this this is the case, congratulate yourself for a job well done. If you find that this is a bit of a let-down, that you didn't really get what you wanted, then it's fate's way of telling you to be a bit more specific with what you want.

The realization of knowing that you're already gotten what you wished for is a bit sobering at times, and the feeling of "this isn't what I wanted" isn't the greatest. Many times Monkey + Seal will realize that we were asking for the wrong thing, or perhaps we didn't even know what we wanted in the first place. Use these "mini" milestones and learn from them, and use them to figure out what you really want, and set your sights on it. We think that once you figure out what you want in your heart of hearts, the steps to getting it will be clearer than you could ever imagine. Now it'll just be up to you to taking those steps.