Wonderland SF 1 Year Anniversary / The Undiscovered: New World/The Secret of Deadbrook

HEEEEYY YOOOUUU GUYYYYSSSSSS!

Sorry, got a sleep-deprived Goonies flashback for a sec.  Anyway, we've got two shows for your viewing pleasure coming up this Friday June 3rd!  Two shows, one night, a crapload of paintings.

First off, from 6-10pm, we were invited by the ever-awesome Irene Hernandez-Feiks to be two of the 60 featured artists in her gallery/boutique's 1 year Anniversary!  Woot!  Wonderland SF is located at 2929 24th Street (btwn Florida and Alabama) and from the list of artists, it's going to be super awesome!

Then, bus, drive, walk, bike, or jog the 10 blocks over to Oz Gallery at 3224 1/2 22nd Street for The Undiscovered: New World/The Secret of Deadbrook for our feature show!  We're both really excited about this show and we've not slept very much making sure it's an awesome experience for you.  This show will go from 8-11pm.

Monkey is personally going to be at the Wonderland show probably around 6:30, then will be headed over to Oz Gallery for the rest of the evening where he'll meet up with Seal.

Thank you so much for the support and we can't wait to see you at the show(s)!!!

Celebrate All Success!!

Monkey here once again.

Here at Monkey + Seal, we often talk about chasing your dreams and setting goals - lots of long-term type stuff. But more often or not, the reason why lots of people give up on their dreams and settle for something less is not about the long-term motivation - everyone wants to follow their dreams. However, the biggest barrier is the short term blocks, and today, I want to talk about not rewarding yourself enough.

Once we're up and running and chasing after that dream, then what? Yes, we know it's a long and tough road, but are we just supposed to suffer through this long (sometimes even a lifetime) journey? If your goal is to become a famous painter (you should probably be more specific, but continuing on..) there's a lot that's going to happen on your way there.

You're going to finish paintings, put on gallery shows, submit to curators, sell pieces, have friends show up at your events, maybe you'll do some teaching, get a residency someplace - my point is that there are a lot of little (and big) things that will continue to occur until you're famous enough that museums are asking for solo shows and paying you hundreds of thousands of dollars for your art.

Often times, dream-chasers can be so focused on the goal that you're missing the bigger picture: you have to enjoy the ride.

Seriously. Like we've said before, if your goal is to be famous, it's easy. Go assassinate someone famous, blow up a city, give into the casting couch, run on television and shoot yourself in the face or something (please don't). if you want to be famous for doing something you love, that's the hard part, but it's also the enjoyable part as well. The big difference that when you say you want to be famous, you want to be famous by doing something you love and doing it well.

When you're doing something you love, it should be fun. Yes, it can be tiring or difficult at times (especially when you're shaking and trying to hang paintings because you're running on 2 hours of sleep), but at the end of the day, you're painting or dancing or singing or acting or writing or doing whatever it is that you love to do. It's awesome - so acknowledge that and be happy!

I personally often put down my own accomplishments because it's not received with some gigantic fanfare and the like, or it's not up to my 130% uber-expectations. However, if you don't celebrate these little achievements, what's the point? Every time you finish a painting, you should think "wow, I created something," not "ugg, this turned out shitty." It's probably not nearly as bad as you think, and if you hate it so much, then it's probably not finished and you need to do more work.

Celebrate everything, even your failures, and you'll find that the ride is becoming much more enjoyable and you'll be a lot happier. Complaining is fine, and acknowledging your weaknesses and flaws is fine, but just don't let them overshadow all that is going right with your life. Didn't sell any paintings at your recent show? That sucks, but YOU JUST HAD A SHOW! Lots of artists don't get shows. Finished a really great painting but didn't get into a show you submitted to? That sucks, but YOU JUST FINISHED A GREAT PAINTING! Lots of people couldn't paint to save their lives!

Everyone has good and bad days, successes and failures. Whether or not you're happy is all about your mindset. Enjoy the journey and the little success, and you'll find that you'll be a lot happier and the road to your goals will be much smoother.

The Undiscovered: New World / The Secret of Deadbrook

Hey everyone! We haven't had time to write up a full new post this week, because we have been busily painting our behinds off for our upcoming split show!

This is going to be our first feature show and we're really excited about it. Seal is preparing a whole new slew of amazing other-worldly landscape paintings, and Monkey is preparing an interactive narrative to accompany his paintings. It should be a really fun evening!

The show opens on Friday, June 3rd from 8pm-11pm at Oz Gallery, located at 3224 1/2 22nd Street (between Bartlett and Mission). We're super excited and we hope to see you there!

The Undiscovered is a two-person show made up of two parts: "New World", a collection of new paintings by Eve Skylar, and "The Secret of Deadbrook," new paintings by Rick Kitagawa that weave an interactive tale of the macabre.

"New World' will explore a journey into the uncharted territory of the fantastic landscapes that inhabit Eve Skylar's mind. From steampunk junkyard swamps to soaring new heights and forgotten robots, come explore the realm of the New World.

"The Secret of Deadbrook" is an interactive horror murder mystery told through paintings and their accompanying narratives. Children have been disappearing in the town of Deadbrook, and when a witness comes forward concerning the most recent disappearance, it's up to you to unearth the sinister secrets of Deadbrook. All you will need to solve the mystery will be at your fingertips - can you figure out who is killing the children before it's too late? If you can, enter your guess and you'll have a chance to win original art!

Building Up Your Dream Team / Thank You!

Don't fight by yourself!

Being an artist can often seem like a solitary profession. Even when working as a team to say, produce a game or animate a short, a lot of time is spent by oneself actually producing the art.

We often tend to think that we're forging ahead alone, a lone commando typing away at our computer or painting in our studio. Especially if you work a dayjob, it's often work at the office, then come home and create by yourself.

However, as you begin to look to create more opportunities for yourself, there is a huge revelation that you must come upon if you hope to ever "make it" as a professional artist:

You cannot do it alone.

Plain and simple, no matter how skilled you are, if you forsake all help, you're not going to go too far in life. Whether it was your teachers who taught you how to paint, or your friend who listens to you after a bad day at work, or your partner who helps out with rent while you pursue a more financially-risky dream, you are not alone.

Quite frankly, it's impossible to go it alone. Even if you build an internet empire from scratch, it's the word of mouth referrals and the help of your fans that will eventually build you up. No brand is without it's buyers, and no empire is an empire without people supporting it.

The easiest way to build up your own dream team of supporters, friends, allies, and other people who will help take you to the top is to help them to the top. While we don't advocate giving more than you really can (or making false promises), supporting others when you can and doing your best to help others reach their goals is by far the way to do things.

The rule of thumb is to just be a good person that helps out their friends and is a caring, supportive teammate, partner, friend, coworker, co-ninja, etc. etc. That way, you'll find that your own team is more supportive, caring, and generally awesome, and then your combined efforts synergistically evolve into crazy things that you wouldn't have been able to achieve on your own.

We also understand that not everyone is going to be right for your team. There are tons of people who you won't connect with, or are too self-absorbed to ever consider giving back. But if you keep putting yourself out there and being supportive to others, you'll find that you'll connect with other like-minded people and your tribe will grow.

Additionally, make sure that you don't take what people give you for granted. Just because you helped someone out doesn't mean they're ever obligated to help you out in return, and you shouldn't operate under the mentality that you're giving so people owe you. Understand that you're giving because you want to support other cool artists, and in turn you'll naturally find others who want to support you because people like helping other cool people. We believe that most people are generally good, and if you show them a little love they'll show it right back.

When you're in an appreciative mindset, you'll not only be creating a positive energy for others, but you'll be creating a positive space for you too. Gratitude is contagious, and nothing is more empowering or awesome to see than a whole group of people working together, happy and thankful for each other making awesome stuff happen.

On that note, we know that we appreciate everyone who reads our blogs, and reposts our tweets, and follows us on facebook, and who has either bought or recommended our art to a friend, or has introduced us to their artist friends, or have come out to our gallery shows. So while this post was supposed to be primarily about how to build up your own support team, we just wanted to take time out to say "Thank You" to everyone who has supported us all these years. Whether you've been with us back while we were still in art school or are just joining us now, Thank you. Whether you lurk about on our website or post on the blog, whether you say hi at craft fairs or send us letters, thanks a million. We wouldn't be where we are without you, and we hope that you feel like we've got your back as well.

So while you're out there making friends and changing the world, we hope you aren't afraid to reach out to us for help along the way! Let's make our dreams come true together!

How Bad Do You Want to Succeed?

It's the Monkey here again:

First off, this was inspired by this article over at Muddy Colors, a pretty cool illustration blog. While I highly suggest you go take a look, I know some of you don't like clicking blog links (I know I'm usually guilty of that), so I'll summarize for you: Life as an artist is hard, it usually takes on average, 5 years after graduating from art school to really get a stable illustration career. Live inexpensively, and take all the work that you can get.

While this is very, very true and great advice, it sort of brings up the big question: How badly do you want to succeed at this whole "chasing your dream" thing? Because with all the awesomeness that comes along with being able to do what you love for a living, not everyone will be able to do that right out of college. Yes, there are definitely exceptions, and we know lots of illustrators who got picked up by game companies within 3-6 months of graduation. However, that's not going to be the case for everyone, and especially if you want to be a successful fine artist, the road could be even longer assuming the traditional gallery path.

So you have to ask yourself, and be totally honest - are you going to be able to do what you love right now and make a living off of it? Personally, I think that the advice to live inexpensively is great, but when you've got nearly $200,000 in student loans to pay back, living super frugally still doesn't cut it a lot of the time and it's not even living frugally, it's being broke-ass poor.

Now to be totally honest, this is a question that I've found myself asking myself more and more. I'm generally a super happy, go-get-'em type of guy, and this isn't some front that I put on to just try and encourage other artists to go after their dream. I'm not the type to sell you something that I don't believe in. However, we've talked about going through Hell before, and the reason we can talk about stuff like that is because we've gone through it, or in my case, are going through it when we write these posts.

While co-owning a gallery and running the Monkey + Seal shop and co-running a screen printing biz and teaching workshops and doing demos at Paper Source and painting for gallery shows might seem all super awesome and fun and magical, and don't get me wrong, it is most of the time, it's also really, really, really, really fucking hard.

I work, on average, between 50-70 hours a week. I don't usually get entire days off, and if I do, they come about once every three weeks or so. Now yes, some of that time is painting or making prints, or designing a new tie design, or writing blog posts, or updating FB, or whatever, but nevertheless, it is work. I also cannot stop because to be perfectly honest, I'm broke, and if my income comes from the art hustle, I gotta hustle.

There are times where rent is put into jeopardy, and times that I skip meals because I spent all my money on bills or on art supplies or table fees at craft fairs. On good nights I get 6 hours of sleep, on bad nights I get 3-4. I also have to go to my two community college classes twice a week in order to defer my student loan payments.

Don't get me wrong - I'm really happy most of the time as like I said, I get to paint and draw and illustrate and make cool stuff for people for a living. But the cost is that I can't currently afford to travel or take vacations, and I can't stop. I'm constantly worried about money, and that's why I hustle trying to simultaneously make Monkey + Seal, Lords of Print, and Big Umbrella work.

So while this may come off as a whine-fest, it doesn't intend to be one. At any time I could go and apply to office jobs that would pay me enough to get by, or I could do my best to manage a retail store or something like that. All very valid and perfectly okay decisions for some people, but just not me.

But thanks to Eve's tremendous emotional, psychological, and financial support, I'm able to keep on doing what I love, even if it means some great sacrifices at times. And that's why I can't give up. I can't squander everything the lovely Seal and lots of other people have given me. To me, art is (almost) everything.

And while you might think that I'm trying to convince you to give up everything to follow your dream (I'm not), an equally important thing you have to figure out is your limits. How long will you give yourself before you give up? 6 months? 2 years? A decade? Your entire life? What else are you willing to sacrifice to get it? Are you willing to give up the love of your life for your dream? Your friends? Will you leave everything behind and relocate? Personally, I've decided that art is the most important thing in my life - besides Eve. We don't talk about our personal lives a lot on the blog. So while there are a lot of things I'm willing to give up for my art- vacations, eating at fancy restaurants, etc., I'm not willing to give up the little (seal) lady. But whether or not you are in a relationship, figuring out what you're willing to give up is crucial, if only so you know what not to give up.

There is no right or wrong answer to this. Everyone is different, and everyone needs to make up their own boundaries for themselves. The most important part is that you stick to them! Once you break a boundary, it's a slippery slope downhill. Just watch Requiem for a Dream and you'll see what I'm talking about.

So if you're already living the dream, congratulations. If you're not there yet, ask yourself: How bad do you want it, and what are you willing to give up (or: what aren't you willing to give up) to get it?

Why Your Competition Will Crush You

Dark Wizards are both competitive, nosy neighbors, and general sapphire-loving jerks.

Don't be a Dark Wizard.

That's right, your competition will crush you.

Not because you aren't wonderful and talented and amazing, because you are all those things whether you're willing to admit it or not. Not because your competition is better, stronger, faster, whatever. The reason your competition will kick your butt is because when we say "your competition," we don't mean other people/organizations/things that are competing with you. We mean "the competition that you're taking part in."

Especially now that we're completely over-saturated with media (thanks internet!), we can often find examples that prove our own internal head-demons right. With not much searching, we can find that famous person who started out homeless and a drug addict and then became a noble-prize winning scholar (or some crazy story like that). We can find examples of people who were in our own situations and then became wildly successful (seemingly overnight, as per the flash and bang of most stories like these). After hearing about something like that, how can we not compare ourselves?

So like we said in our title, your competition will crush you. It is much harder fighting the good fight when it seems like you've already lost to someone else. When we constantly compare ourselves to others, we never get a chance to really compare ourselves to our true potential, which is what really matters in the end. In that sense, the battle is lost before it's fought. So how do you win the fight with yourself?

The best way to overcome this potentially debilitating self-criticism is to not compare yourself to other people at all. While we're not advocating sticking your head in the mud and ignoring the world, what really is the use of comparing yourself to other people? Is there any point to compare ourselves to outliers that aren't representative of the population as a whole? To make yourself feel worse about yourself? Really? Seriously, what's the point? We'll answer that for you - there is none.

There's no reason to fuel your own self-doubt. Other people will be more successful and less successful (by your standards - make sure you have already defined success for yourself), so get over it. You have something amazing locked up inside of you (don't try to deny it!), it's just your job to figure out what your gift to the world is and to go and nourish it and help it grow.

Everyone should tend to their own gardens without looking at your neighbor's as if their grass is greener. Everyone has the capacity and seed and raw potential to grow their own unique beautiful garden, but too much time is wasted on envying others' growth spurt. It's wasted time and energy. While you are busy focused on other people, you may have just missed your own tiny budding potential peeking its way from underground. Don't miss that chance and see for yourself how awesome you are and really embrace all your raw potential that you have as a human being.

Honor the seeds you have planted. Nurture it and be your own number fan. Only after you have loved yourself, will the world come to see you as you see yourself. Your competition can't crush you if it doesn't exist, so grab your water bucket and start growing something worthwhile. Remember, you can have it all (and more!) if you really want it, so drop the competition and be the greatest success you can be!

How to Handle Rejection

Bottom of the 9th, down by 3, 2 outs, bases loaded, 2 strikes . . . you can still make a one-hit winning comeback.

Monkey here:

If you've ever experienced rejection for your art, you know how much it can suck. As an artist, you put so much of yourself into your work that, especially in a subjective field, rejection can really sting. Whether it's not getting called back after an audition, or getting a negative portfolio review, or being rejected from an illustration annual, rejection is never fun.

So how do you bounce back? How do you get over the fact that the person judging your art deems it wasn't right for whatever opportunity you're looking for? Well for starters, realize that rejection is just an opportunity to try again. But I realize that's easier said than done, and I hate to answer a question with another question, but most of the good answers in life are like this, so I'm doing it anyway. To figure out how to move on, you have to ask yourself "Why do I want this in the first place?"

Why do you want that gallery show? Why do you want that part? Is the answer recognition? Fame? Money? Or something more intangible? If you really just wanted recognition, you could always go back to school and try really hard in your classes and study and get A's and then show off your 4.0 GPA - it's a tangible, objective achievement that people can be proud of. If it's fame, you can always be a serial killer - no one really forgets them. If it's money, there's always thievery or prostitution, or simply some 9-5 job that you can take.

Yes, I know these are all extreme examples of ways to get recognition or fame or money, but really I bet your answer is a bit more nuanced than any of these. I bet that you're actually looking for recognition as an artist and to be able to live off your art. After all, that's the dream, right? To be able to do what you love and get paid for it.

So then, if you're chasing the dream to do what you love and get paid for it, isn't it painful when you face setbacks and rejection? Oh most definitely. So how do you get over it?

The answer to that should be really obvious at this point.

What are you going to do, are you going to stop doing what you love? So life has pushed you around a bit. You haven't heard from the galleries you sent your portfolio to. Your photos aren't selling. You lost money on the last few craft shows. What are you going to do, just stop?

Really, life can be painful sometimes. But is it going to be more painful doing what you love and not getting outside approval of your work, or is it going to be more painful not doing what you love and losing part of your soul? Honestly, if you're willing to just give up on your dream, then you have to ask yourself is that all your dream ever amounted to? Was it really your true passion to begin with?

I used to always think that my dream was to get into a huge gallery and sell my paintings for thousands of dollars. That's still my goal, but I've realized that if that never happens, it won't be the end of the world because I realize that in a way, I'm currently living the dream. I get to paint - and the act of creating art is what is really enjoyable. Don't get me wrong, I love getting into gallery shows and selling art and figuring out how to make money off my art, but when I don't hear back from a gallery I've sent my portfolio to, I keep asking myself "what are you going to do, quit? Am I going to stop doing what I love just because a gallery doesn't drop everything to curate me into the next available show?"

You never know why you didn't get into a show, or an annual, or get that lead role, or whatever. Things like that aren't a reflection of your worth as an artist. Maybe your price point was too low, or too high. Maybe the gatekeeper (forget about them and rush the gates already!) already had someone else in mind. Maybe you're a really fucking amazing artist, but they just liked someone else's submission a little bit better. Maybe your style just wasn't their thing, or they only like paintings with ducks and flowers (or alternatively, demons and skulls). Who knows?

The point is that you can't give up. Don't let the thing that you love to do slip away. No matter how many years it takes, or to what level of commercial success you'll ever make it to, you can't stop doing what you love. Don't let external forces tell you how to live your life. In the end, all those people don't matter -you're the final arbiter of how successful your life is.

I honestly hope that art comes easy for you and that people compliment your work as soon as they see it, and all your magical dreams of being a world-renowned artist comes true (or whatever your dreams are). Do what you love, and if you chase that dream wholeheartedly, the other stuff (commercial success, external acclaim, etc. etc.) will come along (if you so desire). Now get out there and do your thing. After all, are you just going to quit, or are you going to keep on keeping on?