Wonderland SF 1 Year Anniversary / The Undiscovered: New World/The Secret of Deadbrook

HEEEEYY YOOOUUU GUYYYYSSSSSS!

Sorry, got a sleep-deprived Goonies flashback for a sec.  Anyway, we've got two shows for your viewing pleasure coming up this Friday June 3rd!  Two shows, one night, a crapload of paintings.

First off, from 6-10pm, we were invited by the ever-awesome Irene Hernandez-Feiks to be two of the 60 featured artists in her gallery/boutique's 1 year Anniversary!  Woot!  Wonderland SF is located at 2929 24th Street (btwn Florida and Alabama) and from the list of artists, it's going to be super awesome!

Then, bus, drive, walk, bike, or jog the 10 blocks over to Oz Gallery at 3224 1/2 22nd Street for The Undiscovered: New World/The Secret of Deadbrook for our feature show!  We're both really excited about this show and we've not slept very much making sure it's an awesome experience for you.  This show will go from 8-11pm.

Monkey is personally going to be at the Wonderland show probably around 6:30, then will be headed over to Oz Gallery for the rest of the evening where he'll meet up with Seal.

Thank you so much for the support and we can't wait to see you at the show(s)!!!

The Undiscovered: New World / The Secret of Deadbrook

Hey everyone! We haven't had time to write up a full new post this week, because we have been busily painting our behinds off for our upcoming split show!

This is going to be our first feature show and we're really excited about it. Seal is preparing a whole new slew of amazing other-worldly landscape paintings, and Monkey is preparing an interactive narrative to accompany his paintings. It should be a really fun evening!

The show opens on Friday, June 3rd from 8pm-11pm at Oz Gallery, located at 3224 1/2 22nd Street (between Bartlett and Mission). We're super excited and we hope to see you there!

The Undiscovered is a two-person show made up of two parts: "New World", a collection of new paintings by Eve Skylar, and "The Secret of Deadbrook," new paintings by Rick Kitagawa that weave an interactive tale of the macabre.

"New World' will explore a journey into the uncharted territory of the fantastic landscapes that inhabit Eve Skylar's mind. From steampunk junkyard swamps to soaring new heights and forgotten robots, come explore the realm of the New World.

"The Secret of Deadbrook" is an interactive horror murder mystery told through paintings and their accompanying narratives. Children have been disappearing in the town of Deadbrook, and when a witness comes forward concerning the most recent disappearance, it's up to you to unearth the sinister secrets of Deadbrook. All you will need to solve the mystery will be at your fingertips - can you figure out who is killing the children before it's too late? If you can, enter your guess and you'll have a chance to win original art!

Monkey + Seal in a show tonight!

Hi hi everyone! Tonight (Friday, January 21 if you're reading this some other day than when we're writing this), Monkey + Seal are going to be in another gallery show!

We're both participating in the "A House of Cards" show opening from 7-11pm tonight at Big Umbrella Studios, located at 906 1/2 Divisadero St (at McAllister), SF, 94115. If you google it, make sure you look for 906 Divis, as the .5 sends you off someplace else.

If you're local, bus lines 24 and 5 are literally about twenty steps or less away, so we recommend coming via public transportation (because street parking can get sort of tough).

Anyway, Monkey just hung the show last night, and he is pleased with the awesomeness and variety of styles that will be showing. Both of us will have new work, and Monkey will have some suuuuper old pieces up that no one has ever seen before!

There is also going to be poker, a tarot card reader, and three different food carts. It'll be a spectacular evening, so we hope to see you there!

Psst - we won't be able to be there until 8pm, so if you'd like to meet us, wait til then! Yay!

PS - If you'd like to see some behind the scenes photos of the gallery getting ready for the show at our last Wednesday Nite Artgasm, check them out here!

Help Us Help You

Hi everyone! Monkey here. I just wanted to remind you all tomorrow night is Big Umbrella Studio's grand re-opening! I'll have 9 new paintings up, and we'll be on hand selling our ties and prints and shirts. We'll also be live printing the t-shirt version of Panda Rage (see above), as well as a new single color shirt design of a cat-fish, illustrated by Ms. Eve Skylar herself. There will also be treats from Sweet As Pie Bakery (an up-n-coming local bakery), live painting, and some great art on the walls. It's tomorrow night (Thursday) from 5-10pm at 906 1/2 Divisadero St x McAllister!

Anyhoo, so I just wanted to take the time today to instead of blab about a bunch of stuff, to instead ask you, our readers, about what YOU want from us. I'm itching to put out another guide, but I'd like to know what kind of guide is going to help you out the most.

Specifically, I'd like to know if you had your way (regarding art and creating art and being an artist), what type of free e-guide would you like us to make for YOU. What do you want to see?

Do you want more info on marketing? How to approach craft fairs? Pricing? Interviews with other successful artists? Whatever you'd like, we want to know what it is. Along with that, what are your greatest fears/concerns/issues that you're facing regarding art? We'd like to be able to help out with that, so we need to know the problem so we can address it. That said, what is your ideal outcome (ie. what would you like our next guide to help you achieve?)

Are you having trouble making time to create and would like the outcome to be more consistent creating? Maybe you're scared of making an online shop and want to end up with your own artshop.com? Whatever it is, let us know!

So please let us know a)what guide you'd like us to custom create for YOU, b)the issues that you're frustrated with or are most scared of, and c)what your ideal outcome would be after getting our guide.

We'd really love you to put your answers in the comments below, as I have a feeling that a lot of people are going to be concerned about the same thing, but if it's a bit scary, we'd love to hear back from you via email, or you could even facebook message us! Thanks!

If Your Attitude Stinks, No Work For You

Part of being professional artists is more than just having a certain skill set or a strong portfolio. While many of us creatives would rather we just do what we do, paint when we want to paint, and basically have total freedom over every aspect of our lives, that is, unfortunately, not a reality for most of us. The truth of the matter is that we still have bills to pay, and to do that, someone needs to pay us. Even if we have the skillz to pay said billz, if there are no one to sell said skills to, then you're going to be out of luck.

Thus, we have to sell our art to designers, clients, art collectors, etc., etc. While a select few artists can be rude, crazy, and generally not fun to be around, Monkey + Seal think that their reputation will eventually work against them, no matter how "great" they might be. Basically, Monkey + Seal advise to be a professional.

By being a professional, we don't mean that you have to wear a suit and tie and act like you're some no-fun, all-business boring bum, but that you act with integrity and respect. Respond to business emails. Show up on time. Follow directions. Be a nice person. These things, while seemingly obvious and simple, are actually more rare than you might think.

As curators in their roles as Paper Hat Productions, Monkey + Seal have gotten a first-hand look on the other side of the fence - we often are looking for opportunities from other organizers, gallery curators, and the like, but with Paper Hat we get to see what it's like to get approached by artists looking to be featured in a future show. While we generally give everyone a chance (we at least check out everyone's work if they have it online), we most certainly do not curate people into shows if they have terrible attitudes.

At our first show, someone came up to Seal while she was live painting and insinuated that her work wasn't so great. Then, when he asked who she was, and she told him that she was one of the curators for the show, he suddenly changed his tone and introduced himself and gave her his business card and told her how great the show was and how he would love to get involved. Guess who isn't going to be in our future shows?

Now the reason why you being professional can get you ahead of the game (or more likely, being unprofessional can get you put on the poop-list) is that besides whether or not curators think that your art can sell, curators have to work with the artists. Curators send emails with info on where to drop off work, how sales will work, and if they're good, they'll want to interview you, get photos of your work to post up on their site for promotional material. They are going to send you postcards, digital flyers, promo material to put up on your blog. If they're doing their job, they're going to be doing their best to promote you, and if working with you is a pain in the butt, then they're not going to want to do it.

You have to think about the curator. Are you making it easy for them to want to work with you? If you are late, how much is that going to inconvenience the curator and the other artists? Are you going to show up and act like a diva and embarrass the curators? If you are making the curators' life hard, they are not going to want to work with you again. Most likely, if they're curating a show, they're going to have connections with other curators. Just as if we like to brag about how great other artists are, we're also quite vocal about how we've had bad experiences with person x and y. Word spreads fast, so do yourself a favor and make sure that you've got a clean reputation moving forward.

In saying this, we don't expect bribes or people sucking up to us (that turns us off just as quick as if you are rude or lazy), but we advise that you think about what sort of image you're giving off, and whether or not that image is going to help or hurt your career in the future.

Alien/ation: an Art Riot Extravaganza - TOMORROW!

Today's post is a friendly reminder that tomorrow, July 10th, is going to be the event that Monkey + Seal (as Paper Hat Productions) has been working on for the past three months. We've been super fortunate to collaborate with the Hyphen Magazine team, and we are proud to bring you Alien/ation: An Illustration Show.

We are honored to be showing among some amazing artists such as Kim Herbst, Joseph To, and Yoko Furusho, to name a few, and our favorite vegan baker, Jen Chau from Black Orchid Bakery will be on hand with cupcakes that are really frickin' amazing.

A preview of what Seal will be showing

We also want to emphasize how excited we are about the raffle - there will be another collaborative Art Battle, but this time it'll be a triple threat match of Monkey, Seal, and Joseph To. Each will start a painting based on an audience-submitted theme. Then, they'll move on to the next person's canvas and start painting, then they will switch again so that everyone paints on everyone's piece. Finally, the artist will move back to the original painting they started and will finish it off. Exciting, huh? Even better, these pieces will be raffled off at the end of the night.

A free artist's reception is from 5:30-6:45, and doors open at 7:00. Admission is $5 (or $15 if you want to get a subscription to Hyphen). The first 25 paying guests at 7:00 will get a swag bag with some limited edition goodies inside. If you want the swag, we suggest getting there early.

A preview of what Monkey will be showing

Where else can you win original art, eat awesome cupcakes, get free stuff, and check out some cutting-edge illustrators? No where (at least no place that we're aware of). Thus, you should definitely come check out our show, and don't forget to bring cash if you want to drink since SPACE gallery (1141 Polk x Sutter) is a 21+ only, cash only venue.

Also, this is really the only night to be able to see all this fantastic art in one place, so we highly recommend it. Besides new work by Monkey + Seal, the other art being hung is really amazing and it should be a really awesome event. We hope to see you there!

Submitting to Art Shows, Not Submitting to Fear

Monkey is especially proud of that headline. So on Sunday, Monkey + Seal prepped their artwork and submitted it to the Academy of Art's Spring Show under the Illustration and Animation schools. Monkey is actually going to finish submitting today (since the Fine Art department's submission process has a later due date), but we wanted to talk a bit about submitting to shows.

The thing that we never could understand is why more people don't submit to the Spring Show. It's free (so it doesn't cost much, just the cost of the mounting materials), so why not? We know that it is really competitive, but regardless of how low your chances are, your chances can't be lower than zero, which is what your chances are if you never turn anything in.

This year, Monkey + Seal have faced some rejection - we didn't get into Renegade Craft Fair, nor were any of our pieces juried into Spectrum 17. But we realize that rejection is part of being an artist (and of life in general). Unfortunately, most people in life don't get everything they try for, but if you never try for anything, you won't get anything at all.


You cannot submit to the fear of rejection. You have to go into each competition with your eye on the gold - aim for the sun and hit the highest peak sort of thinking, you know? Monkey, who has never been selected for the Spring Show always says "Let someone else tell you that you're not good enough." If you can't bring yourself to believe in your work, then why should anyone else? Like we have said in past blog posts - it is all about finding your audience. Sure, you shouldn't submit a painting of a dragon to a landscape competition (or a landscape to a dragon competition) but you have to just power through your fear of rejection and keep moving forward, keep submitting, and keep getting your work out there.

Additionally, Monkey + Seal prefer not to dwell on the negative - sure we didn't get into Renegade or Spectrum, but there's always next year, we already had one successful gallery show this year, and now we're doing a gallery show in collaboration with Hyphen magazine, we just released our first e-book, Monkey is pushing himself to create and post a piece of art every day, and Seal has a freelance project for an upcoming animation studio. We're also helping to organize the SF Zine Fest and have applied to the Alternative Press Expo.

All in all, it isn't about comparing the good to the bad and weighing out your year - it's about choosing to focus on the positives, the accomplishments and accolades, and learning from all the missteps and failings. Finding this balance is definitely not easy (as we both can attest to), but it is what we strive for, and what keeps us going at all hours of the night. No fear, dear artists, no fear!

Monkey and Seal is curating a Gallery Show!

We're curating a gallery show!

Opening Night Art Riot Extravaganza: March 12 at SPACE Gallery

• 8p-whenever
• Featuring 10 emerging San Francisco based artists
• Live Art Battle
• Live Painting
  
• Live DJ
• Top of the line, Comedy Improv Troupe: Hobofish
• Vegan Baked goods by Black Orchid
• Edgy drinks by SPACE Gallery
• chance to win one-of-kind, original art, just by coming out to drink with us!
  

Monkey and Seal are both busy with their furry paws and fins. We will try to update you on our process, so you can get an insight into the minds of curating -- what will become one of the biggest art riot extravaganza events ever!

Currently, Monkey is working on the official website and Seal is working on a logo. They are projecting to go live by Saturday morning.

We're so excited to feature the awesome comedy improv troupe -- Hobofish. If you haven't seen their live performance, it's a once in a lifetime treat. We're in the process of booking a DJ. A couple of promising prospects. We'd like to do a shout out to a talented DJ: Zaion. The music and the photography on his website is absolutely serene!

In the next couple of weeks, we will be featuring the different artists and events! Stay tuned for more.

Reminder + Process: Coloring in Photoshop

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First off, as a reminder, our very talented Seal has been invited to showcase her artwork at the Saida Glide fundraiser event tonight at Sugar Cafe (679 Sutter St. at Taylor) in San Francisco. There is a fashion show at 9:30, but the event goes from 7pm til 2am. We'll be there from 7 til at least 11pm, networking, trying to sell our art, drinking, and doing some drawing.


Seal will be selling some fine art archival prints (giclees) for $25 of two of her newest work , as well as the original painting for the swamp house for $325 (or for $375 framed). Monkey might also go guerrilla-style (or is it gorilla style?) and sell some small prints and stuff for kicks (he'll have to wait and see how things are there).

Hopefully you'll stop on by and say hi!

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So today's Saturday process post is by Monkey. He'll be briefly explaining the basics of coloring in photoshop.

Hi everyone! So today I'll be explaining a bit how to do color a scanned line drawing in Adobe Photoshop. Examples of work I've done (and stuff that is suited for this sort of digital painting are things like:
and Notice both are really graphic with mainly solid linework and flat color mixed in. The way one does this is you start with a line drawing (I tend to do mine in a sketchbook or on paper as I don't really like to draw digitally if I can help it) that you scan in. After you scan it in, I usually clean up the half-erased marks and play with the levels to get my lines darker.

Here's my cleaned-up line drawing for the Handmade Ho Down poster and flyer.

You can see in the scan above that I actually didn't draw the flag logo yet...the logo was created the same way as I did the poster/flyer, but since it was already done I didn't want to redraw it, I left the top of the big flagpole off (I inserted it later digitally). Sometimes this is good if you already have an image that you're planning to work in - for me, leaving spots obviously blank is a good reminder that something needs to go there.

So here's where you start setting up PS to make coloring easier. Assuming all your lines are connected perfectly in your scanned drawing, you could just use the color bucket to paint large flat areas in your drawing. However, if you zoom in, you'll see that it'll eat into some of your linework, leaving it jagged at times. Thus, this is my preferred method. It's not quite as quick, but you'll get smoother lines.

What you do is first, right-click (or ctrl-click for mac mouse users) on the background layer (which should have your image in it if you opened it up in photoshop to start painting). Click on the "duplicate layer" and create a "background copy." Then, drag it on top of your background layer. Now, select your background layer and create a new layer between them. Select the background copy. In the photo below, it's labeled "Layer 1." Go to the little drop-down menu above the layers palette and change the layer property from "normal" to "multiply."
What multiply does is literally multiply the colors from that layer with the colors on the layer below it. Thus, any white space on your background copy will show pure color beneath it. Any blacks will show black. This allows you to paint on the sandwiched layer without affecting your original drawing. The only drawback to this is that you can't really use your paint bucket since this layer that you are coloring in is just an empty layer. However, like I said, it preserves your line quality, so it's almost like a coloring book where the black lines always stay on top of your coloring.

You could just create a multiply layer underneath the background layer, but I like to have a copy of the original drawing in case I need to make changes. This way, I can edit the drawing on my copied layer, and if I don't like it, I can always go back to my original background layer, make a new copy, and start from the original drawing.

In the screencap below, you can see which layer I'm painting on. Also, I felt it was prudent to point out the brush setting I use. Since I paint with a tablet (to be honest, I don't know how you can do digital art with a mouse), I have shape dynamics on, with size jitter at 0% and it being controlled by pen pressure. This way, the harder I press the fatter the line (to the max pixel size that my brush is set to), and the lighter I press the finer the line. This replicates brush control in real life - if you want to make a thinner line, you just use the tip of the brush. I also have the minimum diameter set to 0 so that I can use very very faint brushstrokes to make tiny, thin lines.
Also, note that I'm currently painting in RGB mode. This is great if you never plan to print out your illustration, but if you want to print it, BEFORE you start, change the mode to CMYK. Believe me, it'll make everyone happier.


So, after a lot of coloring and adding text and resizing things and moving things around, the little octopus guy turned out like this:
I ended up painting in the flag for the big logo, and replaced the hand-drawn SF Etsy flag with the actual logo. I also extended the pole and added the Etsy logo.

Anyway, that's it for now, and if you have any questions feel free to leave them in the comments and we'll get to them as soon as we can. Also, don't forget to show up to the Handmade Ho Down on December 3rd to meet us in person, check out our art, and see the grand premier of Monkey's new silkscreened ties! Thanks for reading!

Come see Seal's art on Saturday!

This Saturday, November 14th, come and check out Seal's work in person at the Sugar Cafe from 7pm til 2am! Seal was invited to be a part of a group show put on by Saida, an organization that is working to raise awareness about the growing problem of homelessness in San Francisco and to raise funds to build a homeless shelter. Pretty darn spiffy, if you ask us!

There's even going to be a fireplace and a fashion show involved as well! There is a cover charge (that enters you into a raffle) if you are under 21, and if you are of drinking age, part of the profits from your booze will go to Glide, and awesome SF org fighting homelessness in the Tenderloin - plus there should be some great art for sale!

Seal will have a few pieces in the show (look for Eve Skylar's work) so definitely stop on by! Monkey will be on hand as well drinking and supporting the Seal.

Saturday fun+ Etsy wishlist

This Saturday Monkey + Seal had the pleasure of heading out to SPACE gallery on Polk to check out a gallery event put on by SIR, a cutting-edge Japanese-living-in-SF show. If anything, you need to check out their website to hear some awesome music that plays when you load their site. We were super lucky that Seal got handed a flyer by Lavit Sea, who was on hand to display a painting and do some on-the-spot watercolor portraits. Also, one of Monkey's friends AKANE was there with some cool abstract pieces. The drinks were also tasty (although not as strong as Monkey might have liked), and Monkey + Seal had a great time overall.


Earlier in the day, Monkey got the chance to make a quick trip out to the Center for the Book's Roadworks, where Megan from Aviary Press was one of the featured artists. She's starting a new line of letterpressed cards based on strange sea creatures like this Southern Bobtail Squid. Awesome stuff! Monkey also got to run into friends Dutch Door and New Lights! Yay!


Additionally, Monkey was browsing Etsy and found this little gem (shown above) in one of the treasuries. ATHD, the creator of the piece, also has some amazing (and expensive) other pieces of jewelry. If Monkey + Seal were into jewelry (we're sorta minimalist on the jewelry), and had the cash, we'd totally be down with some of her stuff.

Last but not least, Monkey will be working in a collaboration with another designer to do a new screen-printed poster based on typography. We're thinking it'll be one color, edition of 50, perhaps with some color variants thrown in for good measure. More details when we're closer to printing!