Showing posts with label art show. Show all posts
Showing posts with label art show. Show all posts

Wednesday, May 16, 2012

Fear or Love? Your Choice


"If you try and give it your best shot, then the possibility isn't zero"

This weekend, Monkey and Seal will be on a plane towards Kansas City, Missouri for Spectrum Fantastic Art Live. We'll be vending next to some of our long-time art heroes. It's quite scary to be honest. We have never been to Kansas City. This will be our first out-of-state show. Most of the artists we'll be vending next to have at least 10-50 years of professional experience and have been published worldwide. Some of them have been doing art long before we were even born.They made the art that we looked up to as children. For Monkey, there is an artist that he has been following since he was 11 years old. We have also submitted multiple annual competitions for Spectrum, the magazine that is hosting the event, but have yet to break in and secure a published page. So going in there, we're pretty much unheard of. We are babies.

When we signed up, we didn't know what we were getting ourselves into. We thought it was going to showcase more different levels of experience, but everyone so far seems to be well established professionals. So in the last couple of days, as reality creeps on us, there is an overwhelming impulse to run away. To say, we're not ready for this. Maybe next time.

But we have this sign that we made, posted in our humble apartment when we first moved in about six years ago, "What would you do if you weren't afraid?"

So we asked ourselves, what is the worse that can happen? We don't sell a damn thing and don't make our flight money/hotel//booth back, but we can meet our heroes, geek out over artwork and life-changing workshops. Go or not go, which choice can we live with later with no regrets?

I think everyday, there is an opportunity to say yes to either fear or love. Fear of failure. Fear of embarrassment. Fear of the unknown. Fear that the journey is long and your skill level is not where you'd like it to be. We can choose those things. But we can also choose love. Love of art. Love of accomplishment. Love of pursuing something rewarding. Love of your work to have pride for it regardless of what people think of it. Love of people, artists. To recognize and acknowledge each other as unique creators. Love of the mysterious unknown. Love of the awkward growing pains. Love of yourself and how far you have personally come from.

In life we are always either running away or running towards our dreams. Why not choose the path that promises a brighter ending? After all, if you try and give it your best shot, then the possibility isn't zero. You're opening a window. You can make "impossible things, " possible, if you take a step forward.

So what can you do today to make that step towards your dream?  What are you scared of that you can embrace?  What path will you choose today that will promise a brighter future?  Grab hold, and let's take a step forward together.


Wednesday, April 11, 2012

Jumping In: Our First Craft Fair...Sorta


Monkey + Seal get a lot of questions regarding what it was like to show at our first craft fair. Believe it or not, we started out very humbly, with only two zines and two comics. Monkey had a little comic called "Comic Shorts," the first issue of "The Bad Date Zine," and his "True Ghost Stories" zine. Seal had the beloved "The Story of Seal." That's it. Oh yeah, and we had lots of 1" pinback buttons.

However, even though the SF Zine Fest where we got our humble origins was all the way back in 2007(!), we constantly have had "new experiences" at craft fairs. We had our first Alternative Press Expo, our first Bazaar Bizarre holiday show, our first anime convention, etc. etc. Each time, we find a new audience, new vendors, and new experiences in terms of setting up our booth, new product, signage, and all the other stuff that we think about when we sell someplace.

One thing that we have never done before, however, is do an out of town show. All of the places we've sold have been in the city limits of San Francisco. This is mainly due to the fact that we don't own a car, so we haven't been very keen on racking up transportation costs to vend elsewhere. However, during the summer of last year, Monkey heard that Spectrum (a very competitive illustration/concept art annual) was going to have their first conference, and were looking for vendors.

Monkey jumped at the opportunity, and the two of us decided to throw our hats in the ring and see if we'd get in. We did, and now we're busy preparing for what is easily the biggest show of our lives. It's a three day event in Kansas City, Missouri, where we will be vending next to some of the biggest names in the fantasy art arena. If you know anything at all about fantasy art, we're down the isle from JP Targete, Chris Rahn and Jason Felix, and we're about 8 booths away from James Gurney. Also vending will be people you just might have heard of: Dan Dos Santos, Stephan Martiniere, Julie Bell and Boris Vallejo, Todd Lockwood, and just like a bajillion other awesome artists who we look up to and are inspired by.

Suffice to say, it's hard not to be intimidated by the competition. Not only that, we're having to learn how to manage booking airfare and hotels, getting our goods over to Kansas City, etc. etc. However, we're doing our best to set ourselves up the best we can for success and even though we're "not ready," will we ever be ready for this type of competition?

Although it's terrifying, expensive (more on that later), and difficult, no matter how tight our portfolios are, no matter how prepared we might be, it'll always be a new type of event, and we will never be truly ready. So, we can just do the best we can and go for the gold. Just like everything else in life, sometimes you have to make that deadline for yourself that you can't escape and just go for it. Sure, maybe your first mini comic might not be very good. Sure, maybe your first convention experience will lose you money. Sure, maybe the first gallery you submit to might turn you down. However, if you constantly wait until you're "ready," you'll have missed your opportunity. Better to live with no regrets, than to wonder "what if?"

So, here's the part where you can help us "totally pwn" (Seal just stared blankly at this phrase) this Spectrum Live! event. We're bringing a bunch of new products, and since this is easily the most expensive event of our careers (with travel and lodgings, shipping, etc., we're at around almost two month's worth of rent), we're offering you all first dibs on some of our newest stuff to help offset our costs. We weren't really going to launch any of this until after we "tried it out" at Spectrum, but you all are our supportive fans, and we wanted to let you get it before anyone else did.

So help send us to Kansas City, and check out all the new stuff here. As a preview of what's to come, we've got a brand new tie design, two new Monkey prints, two new Seal prints (one of which is being released before the show that it's in even opens!), and our Create or Die shirt, re-released in a classic black and white version.

Live with no regrets, and grab some great stuff while it's on sale here!

Wednesday, March 2, 2011

Bestiarum vocabulum: The Book of the Beasts


Hi Hi everyone! We're pleased to announce/remind you about Monkey's upcoming split-feature show with gentleman-artist and all-around nice guy, Grant Gilliland! It's all going down this Friday, March 4th, from 7-11pm at Big Umbrella Studios (906.5 Divisadero x McAllister). It should be a great show, as we'll be getting down with live screenprinting (buy a shirt and get it printed in front of your eyes!!!), maybe the best vegan cupcakes on the face of the earth from Black Orchid Bakery, and amazing vegan/vegetarian tacos courtesy of Local Flavor SF. So much awesomeness in one night!

Anyhoo, we would love to see you there, and we wanted to share with you some sneak preview images of Monkey's paintings. The little guy has been painting pretty much non-stop for the past week or so - we hope you enjoy! You should definitely stop by the show to see the images in person, where they look much better than via an old iPhone's lens with bad apartment lighting.

The photos:
The Succubus

The Basilisk

Local Flavor SF's taco..seasonal veggies and beans topped with pickled onions, sunflower seeds, and a cilantro-awesomeness sauce


The details:

Bestiarum vocabulum: The Book of the Beasts

Join us for the "Bestiarum vocabulum" Art Opening featuring the work of painters/illustrators Grant Gilliland and Rick Kitagawa.

From the elusive cyclops to the dangerous succubus, from trolls to water spirits, we often think of mythological beasts as simply mythological. Grant Gilliland and Rick Kitagawa beg to differ. Let this pair of monster hunters bring these creatures to life in a series of all new paintings featuring a stable of unearthly beasts and "mythological" creatures from around the world that are just waiting to follow you home.

"Bestiarum vocabulum"
featuring Grant Gilliland and Rick Kitagawa
w/works by the Big Umbrella Studio collective


Big Umbrella Studios
906.5 Divisadero St (x McAllister)
Friday, March 4, 2011
7-11pm

*Collaborative Grant n' Rick t-shirt design printed live*
*food by Black Orchid Bakery and Local Flavor SF*


www.bigumbrellastudios.com

www.seegrantdraw.com
www.rickkitagawa.com

Friday, January 21, 2011

Monkey + Seal in a show tonight!


Hi hi everyone! Tonight (Friday, January 21 if you're reading this some other day than when we're writing this), Monkey + Seal are going to be in another gallery show!

We're both participating in the "A House of Cards" show opening from 7-11pm tonight at Big Umbrella Studios, located at 906 1/2 Divisadero St (at McAllister), SF, 94115. If you google it, make sure you look for 906 Divis, as the .5 sends you off someplace else.

If you're local, bus lines 24 and 5 are literally about twenty steps or less away, so we recommend coming via public transportation (because street parking can get sort of tough).

Anyway, Monkey just hung the show last night, and he is pleased with the awesomeness and variety of styles that will be showing. Both of us will have new work, and Monkey will have some suuuuper old pieces up that no one has ever seen before!

There is also going to be poker, a tarot card reader, and three different food carts. It'll be a spectacular evening, so we hope to see you there!

Psst - we won't be able to be there until 8pm, so if you'd like to meet us, wait til then! Yay!

PS - If you'd like to see some behind the scenes photos of the gallery getting ready for the show at our last Wednesday Nite Artgasm, check them out here!

Friday, October 29, 2010

Happy Halloween!

So rather than watch the Giants' game last night, Monkey + Seal took a little break from their art and headed to downtown San Francisco to the Asian Art Museum for their last Matcha event of the year. Matcha is an evening-type event that happens every other month from February-October at the museum, and features a cash bar, entry into their special exhibits (which usually requires a special ticket), and performances and art making activities and other fun stuff.

This was our first Matcha, and at $10, it was definitely a steal. We got there late since Monkey had to work, but we got to breeze through the museum and check out some really awesome art from around Asia. We then caught up with a large group to hear the last story being told by a docent in the gallery.

Then, we hit up the main event of the evening. The amazing storytelling/music duo of Brenda Wong Aoki and Mark Izu (and company). Blending fusion jazz with theatrical storytelling, "Mermaid Meat" was AWESOME. It was really inspiring to see the spoken story being brought to new dimensions by a dramatic telling with the creepy atmospheric hauntings of the music. If you read this in time, they're actually doing what I assume to be a similar show on October 31 at Yoshi's San Francisco.

We then checked out the Beyond Golden Clouds exhibit, which featured a lot of old-skool Japanese folding screens. Both Seal and Monkey were inspired by the expertise of the brushwork, and with one screen in particular that seemed to master the economy of line, hinting at mountains and rivers shrouded in a bank of fog with the slightest value changes and brush strokes.

We saw another mini-concert/performance by Brenda, Mark and Co., and then we sped off to grab some dinner. Overall it was an awesome night, and we couldn't really beat the show for the $10 ticket price. Woo!

Because we're inspired by the mood of the season, we've decided to share with you a little scary story we've co-written (it's kind of long for a blog post, just be warned!). Enjoy and have a happy Halloween! We are proud to present: The White Door

On Sam's way home from work, he would generally keep to the same route, down Lincoln, right at the corner store, down two blocks on Woodsbury, and then left onto Ausiel, which took him past a few blocks of old Victorians til he got to his apartment. He deviated from this route rarely, only if he needed to pick something up from the dry cleaner's of perhaps some limes at the corner store.

One day, on a unremarkable day like any other, as he walked down Ausiel he looked up and noticed a door he had never seen before. Granted, he didn't look up focusing on noticing strange doors on a daily basis, but he noticed that at the peak of a house, presumably where the attic might be, lay a strange, whitish door that was left ajar.

At first, Sam though he had seen a dim light in the room casting strange shadows about. Although the door had no strange markings besides a round-ish crystalline knob and a shiny white finish, Sam couldn't get it out of his head when he went to sleep that night.

The door didn't quite make sense. It seemed to jut out into open space - why would you make a door leading to a four-story fall? If it was just for decoration, then why was it a full door and not a window?

That night, as Sam slept, he saw the door, closer this time, as if he was flying. This time, a strange greenish light seeped out and as he approached the door a black cat suddenly jumped out and hissed at him, waking him just as his alarm clock was about to go off.

As the days turned into weeks into months, Sam would occasionally glance up towards the door, and it seemed to always be open, almost beckoning for him to enter. While he didn't even know how he could get up there, he was quite curious, but never curious enough to take any sort of action.

Soon it was October, and with the crisp fall air sweeping through the streets and talk of Halloween costumes filling the water cooler chatter. The month quickly flew by, and with Halloween falling on a Saturday that year, parties were being thrown left and right.

Sam, dressed as a scarecrow, decided to venture with his friend Paul to check out a few different parties to celebrate Halloween. After staying longer than expected at a nearby bar, he found that he and Paul were unexpectedly close to his house. While things were already getting a bit loopy after the shots at the bar, Sam was relieved when they walked back on Ausiel to what was familiar territory for Sam.

As he waited with Paul and some other guests outside the apartment complex to get buzzed in, Sam was suddenly hit with a jolt of familiarity. The apartment building looked really, really familiar to him. As the buzzer went off and the gate was opened, he realized he was at the same building that had that strange door on its roof.

As Sam went in, he suddenly felt the urge to climb the stairs to see if he could finally find out what was going on with the strange door, but Paul threw his arm around his shoulder and led him into a ground-floor apartment.

"Whose party is this?" Sam asked. Paul just shrugged and informed him that it was the resident manager's apartment, but that the guy was a friend of a friend. As Paul scampered off to procure some more drinks, Sam absently rode the buzz and started looking around. The apartment wasn't lit very well, and dark curtains hung from every corner, dividing the room. Fake cobwebs were strung up upon bookshelves and on cheap prop candelabras decorating table tops.

As Sam made his way deeper into the party, pushing past the billowing black curtains and costumed guests towards what he assumed was a bathroom. When he finally found the door he assumed to be a bathroom, he pushed it open to find that it was actually some sort of closet. It was only a few square feet, but surprisingly, it was nearly empty, save for some long black coats that hung from a clothing bar stretched across the width of the closet.

What surprised Sam even more was that in the darkness, he could see light oozing out of a crack in the back wall of the closet. He looked back to see if he was being watched, but all he saw were guests dancing and completely engaged in their conversations. He stepped forward and found that the back wall wasn't a wall at all, it was a door. A door he had seen before every day on his way home from work.

Sam's pulse started to race and emboldened by the alcohol in his system he closed the closet door behind him and started groping into the closet, gently pushing away the coats. His hand ran against smooth, porcelain-like molding until he came to what found what he was looking for. As soon as his hand wrapped around the door handle, he knew it was the same door. Crystalline door handle set in an ornate steel locking mechanism, smooth porcelain finish, Sam had seen it a thousand times before and just feeling it in his hand, he could see it even in the dark.

As Sam slowly turned the handle and stepped past the hanging clothes, he found himself in a narrow passageway, seemingly between the walls of the apartment building. Naked wooden beams and posts surrounded him, foam insulation sprayed on either side of him. A bare lightbulb hung from a ceiling too high to see and disappeared into the darkness above him.

Sam slowly progressed down the claustrophobic hall, noting that he could hear sounds of the party through the thin walls. He came upon a rickety wooden staircase that ascended upwards into darkness. As he took careful step after careful step, he could hear sounds of other apartments now, horror movies being watched, other parties, bed creaks and moaning. He climbed the stairs for what seemed like a lot longer than he should have been able to, but he pressed on in the dim light.

Sam came suddenly to a dead-end. Was this it? Was this just some strange coincidence that led him to a wall of nothingness? It took a while for Sam to realize that he hadn't come to a dead end, but that the stairs simply turned to the left, as if it was spiraling up around the perimeter of the apartment building.

Sam continued to climb, this time in near darkness. As he stepped through the murky black, he wondered if this was some cruel trick - that eventually up here in the dark recesses of the building the stairs would just give in and he would tumble down to his doom, fated to be rot in the walls like some rat. But the stairs were study, and Sam continued to climb.

As time passed, Sam began to get confused. Was he really so drunk that he couldn't tell how far he had walked? He wasn't sure how many steps a flight of stairs would take to traverse the side of a building, but he had been walking for what seemed like a while, and he had already turned with the stairs five times now. Sam figured that he was, at the very least, above the entrance to the corridor, but the sheer height of it didn't quite make sense. He felt as if he had been walked up ten to fifteen stories worth of stairs, but the building was only four stories tall. He had made it a point to count out how many floors of windows the building had on multiple occasions.

Just as he was about to give up and turn back, through the darkness came a faint light, as if it was creeping through a door just slightly ajar. Suddenly Sam's resolve was back and he climbed on, slowing his pace so he would make less noise as he approached the pinnacle of the stairs. As the distance between them shrank, Sam noticed that it didn't seem to be made of porcelain. It was a bit too shiny, I looked more like polished bone.

Sam nearly laughed out loud at this thought, thinking it would be too absurd and impossible to find a bone large enough to carve an entire door out of. Just then, he could hear a strange chanting going on behind the door. As he neared, he attempted to slowly peek through the door, but leaning forward put off his sense of balance and as he stuck his hands out to brace himself, he ended up pushing the door in forcefully and stumbling inside.

Once inside, it took his eyes a while to adjust. Bright lights were directed towards the middle of the room where a metal table lay. After Sam rubbed his eyes, he found he was in a room with a tall, hooded man with deep-set cheekbones and old eyes. The man stepped foward and extended his hand. "Welcome Sam. I see you finally found the door you've been looking for."

"How..how do you know my name?" Sam looked around, suddenly noticing that there were others in the room, all cloaked with their hoods obscuring their faces. "I'm really sorry to burst in like this, but you see.."

"Oh, we know all about you Sam," spoke the tall man. He motioned for Sam to follow him and walked towards the center of the room. "We know that you've been dying to know what this room is, and how it can exist where it does." Sam was speechless. "Do you know what floor you're on, Sam?"

"Uh, I dunno," stammered Sam, taken aback by the tall man's knowledge of him. "We're in the attic, above the sixth floor?"

"Nice try, but how about the thirtieth floor?" The tall man smiled, the creases of his lips extending a bit farther up on his face than a normal human's smile should Sam stepped back, hesitantly.

The tall man continued. "Sam, I could try to explain to you how the door works, or how we're on the thirtieth floor in a four story building, or I could even explain to you what new door we're actually trying to open, but instead.." Sam suddenly realized that two of the shadowy figures had snuck behind him, and they quickly grabbed him by his arms.

Sam struggled to free himself, but someone else had already grabbed his shoulders and was trying to hold him still. Then there were hands on either side of his head, and a sharp sting in his neck. His captors suddenly let go. Sam stumbled forward, then backwards, and suddenly found himself sitting in a chair. "But instead," the tall man took a step closer to Sam, "I'm just going to show you."

"Sam, you are going to be part of this little experiment tonight. If you hadn't realized, it's just about midnight, so we really should get started." The tall man reached into his cape and slowly drew out a long, thin knife. "I apologize that the drug we just gave you only interrupts your voluntary motor control. You won't be able to talk, or scream, for that matter, but the unfortunately part is that you will most definitely be able to feel."

Sam's body felt like a dead weight. His head became heavy and he sank deeper into his chair. He tried to scream for help, but his body wouldn't listen. Two of the figures lifted Sam up and started to carry him towards the center of the room. "Well, Sam, it's time for us to say good-bye. We really hate to do this to you, but you know what they say, curiosity skinned the cat. Yes, yes, I know the saying is that curiosity killed the cat, but I've never met a creature that really survives too long after being skinned alive, you know? Say 'meow.'"

Monday, October 18, 2010

A.P.E Fun and Show Planning

Thank you everyone! We had an awesome time at A.P.E. Thank you to everyone who came out to support us, stopped by our booth, and or otherwise were with us in spirit. We really couldn't have done it without you. We met new friends and caught up with old friends alike. Found new inspiring artists to follow, picked up some DIY stuff (we wanted to buy it all, but alas rent comes first). All in all, it was super fun and we wish we can do this all the time!

At the end of every show, Monkey and Seal always reflect on it to see what they can improve on next time. This is a good skill and habit to have for anytime you finish a project. After packing up the show by 7pm Sunday night and unloading their load, they congratulated themselves with comfort-food dinner.

Then while it's still fresh in our memories, we proceeded to do what is called "a brain-drain." We list everything in terms of three categories: 1) What we did well 2) What could be done better/ needs change and 3) Misc. notes/ future projects/ or "what's next?"

Like always, Monkey and Seal would like to share with you what they've learned, some highlights, and a slice-of-life of what it was like:

Friday Night, Night Before Showtime

Friday night, we had trouble printing our shirts. The bulb inside the darkroom blew out so Monkey was registering the designs in the dark! By 12 midnight, we were dealing with two broken emulsion, mis-aligned screens, and no t shirt. Seal almost gave up, but Monkey pushed on. We had publicized on the APE guidebook and on our website that we would have the new t shirt designs printed. No matter the obstacle, we couldn't go back on our promises. That is a principle we uphold towards our friends and customers. So we pressed on. Seal learned how to print the t shirts, while Monkey problem-solved the screens. By the 25th t shirt, Seal has a new respect for screen-printing and Monkey's knowledge of troubleshooting. With screen printing, everything is a factor: weather, timing, amount of ink, drying time, etc. 1 second off and it completely changes the t shirt design. Seal went home around 3am to get the rest of the products ready, while Monkey continued to print, fighting off 9 more broken emulsions. By 7:30am we showered, picked up the Zipcar, loaded our stuff, and arrived at the Concourse around 9am.

We were now running on 24 hours of without sleep.

Location, Setup, and Visual Merchandising

One of the key things to a successful show is having the right location, setup, and visual merchandising. Location can make or break your show. In generality, you want to be placed where there is a good flow of traffic from multiple directions. You should avoid anything that is a extra step or obstacle for the customer to find you, for example, the second floor of the Concourse received less foot-traffic, simply because people didn't want to climb the stairs. Anywhere where there was a U shape, people avoided because they didn't want to feel trapped.

Setup and visual merchandising is also key, even if you receive a "bad or not-so good location," you can probably save it and or maximize your location, just by how you arrange your table and products. Monkey and Seal were lucky that we were in a place that was easy to find, also, we recently had a banner made with our big heads on it, so we were also easily identifiable. In terms of visual merchandising, we're lucky to have had honed in our experience by working for retail. Seal has worked at Disneyland, Starbucks, Barnes&Noble, a high end Japanese store (she got really good at wrapping presents during Christmas time!) But because of this, they know how to arrange the table, feature a product, organize by color/shape/ type of product, etc. When someone looks at your table, in a quick second, they should understand "the categories" or how things work. For example, our t shirt and ties are together because they're clothing apparel. We also learned that we needed to separate our comics from our zines, because if people picked up our zine, they assumed all our work was text-based. If people picked up our comics, they assumed that we worked mainly with images.

Some of the things we learned, either by ourselves or by watching other vendors
  1. Stand when greeting a customer. Many booths will provide you chairs, but use them only when you are on break. Remember that you represent your art, if you are slouching in your chair, your don't inspire confidence for people to buy your art. There were many talented booths, but as soon as Seal approached the artists, they looked so bored and unengaged that it was enough of a turn off not to inquire further.
  2. Along with number 1, we should be able to see the artist! The artist is part of the art package. Seal saw one talented artist, she has surrounded herself with her art, made a towering pillar showcasing her art on either side of the table, all that was left was a tiny window no bigger than an 8.5" x 11" paper for her little face to peek out from. Her art was beautiful. But damn, it looked like a prison in there!
  3. Make notes throughout the show, about what you observe, friends or customers to follow up on. Some of next best ideas, come during the moment when you are surrounded and inspired by other artists and your environment. Write it down!
  4. Take a chance and talk to people! At these events, people come from all over the place. We met people from Canada, Seattle, San Diego, Europe, Australia, etc. Some of the best suggestions for future shows, come from our neighbors whom we shared a table with. Or who knows, maybe your next projects comes from an inspiration from another person!
All in all, it was a very fun experience for us. It was a successful financial and creative show. We had fun talking to everyone and catching up with friends. Thanks for stopping by!

We will definitely be growing more for next year. We have our holiday shows to look forward and plan for. We will also be uploading our products into our online store, hopefully by next Monday. We also would like to share some resources in terms of show planning, such as time line or checklist on what to bring. These will be uploaded as well this week.

In the meantime, keep rocking your art! Keep growing!

Quote of the day: "So long as a person is capable of self-renewal they are a living being." -Henri-Frederic Amiel

Monday, August 16, 2010

Sneak Peek - Postcards

While live painting as this week's featured artists over at the Blue Macaw via Market SF, we have developed a whole new line of postcard-sized art! Seal came up with the theme of "Steampunk animals," and we really took that concept and ran with it!

These images are parts of two of the new postcards that we'll be featuring at the SF Zine Fest on September 4+5th! Woo, it's coming up soon, so mark your calendars for a whole new line of postcards for sale at the Zine Fest!
We are hard at work trying to work on a bunch of new and exciting projects as we have also confirmed a booth at the Alternative Press Expo this coming October 16+17th, so we want to really step up our game and have some great stuff for you to check out. We appreciate your support and patronage, and we hope to keep producing art and products that you'll enjoy.

Friday, July 9, 2010

Alien/ation: an Art Riot Extravaganza - TOMORROW!


Today's post is a friendly reminder that tomorrow, July 10th, is going to be the event that Monkey + Seal (as Paper Hat Productions) has been working on for the past three months. We've been super fortunate to collaborate with the Hyphen Magazine team, and we are proud to bring you Alien/ation: An Illustration Show.

We are honored to be showing among some amazing artists such as Kim Herbst, Joseph To, and Yoko Furusho, to name a few, and our favorite vegan baker, Jen Chau from Black Orchid Bakery will be on hand with cupcakes that are really frickin' amazing.

A preview of what Seal will be showing

We also want to emphasize how excited we are about the raffle - there will be another collaborative Art Battle, but this time it'll be a triple threat match of Monkey, Seal, and Joseph To. Each will start a painting based on an audience-submitted theme. Then, they'll move on to the next person's canvas and start painting, then they will switch again so that everyone paints on everyone's piece. Finally, the artist will move back to the original painting they started and will finish it off. Exciting, huh? Even better, these pieces will be raffled off at the end of the night.

A free artist's reception is from 5:30-6:45, and doors open at 7:00. Admission is $5 (or $15 if you want to get a subscription to Hyphen). The first 25 paying guests at 7:00 will get a swag bag with some limited edition goodies inside. If you want the swag, we suggest getting there early.

A preview of what Monkey will be showing


Where else can you win original art, eat awesome cupcakes, get free stuff, and check out some cutting-edge illustrators? No where (at least no place that we're aware of). Thus, you should definitely come check out our show, and don't forget to bring cash if you want to drink since SPACE gallery (1141 Polk x Sutter) is a 21+ only, cash only venue.

Also, this is really the only night to be able to see all this fantastic art in one place, so we highly recommend it. Besides new work by Monkey + Seal, the other art being hung is really amazing and it should be a really awesome event. We hope to see you there!

Friday, July 2, 2010

Alien/ation - A Hyphen magazine/Paper Hat Production Art Riot Extravaganza!


Hey-ho everyone! As you probably know, Monkey + Seal also does business as Paper Hat Productions, which is our event organizing company. We're honored to be collaborating with Hyphen Magazine to put on their first ever Illustration show! Check out the details below for all the juicy info. We hope to see you there, and we'll be having a little table there with some of our stuff, as well as a bunch of new work on the gallery walls. Definitely say hi if you're able to make it!

ALIEN/ATION: An Illustration Show

Ever read an issue of Hyphen magazine and wondered about the amazing illustrations on print? Who is the artist and what was their inspiration? Hyphen magazine has partnered up with Paper Hat Productions to bring you a group show of game-changing illustrators and painters from all over the states in an Art Riot Extravaganza! Live painting! Drinks! DJs! Cupakes! If you miss this, you'll be kicking yourself the next day because this show is that special.

Saturday, July 10th

5:30 pm - Artist's Reception (free!)
7:00 pm - Art Riot Extravaganza

Space Gallery, 21+
1141 Polk St., San Francisco

$5 at the door
$15 includes a one year Hyphen sub (50% off!)

SPECIALS
First 25 paid guests @ 7:00 pm get a free copy of Hyphen magazine + limited edition mystery swag

FEATURING ART BY:
Danny Neece
Eve Skylar
Jon Stich
Jorge Mascarenhas
Joseph To
Kim Herbst
Rick Kitagawa
Rob Sato
Yoko Furusho


LIVE PAINTING:
Participating featured artists

DJs:
B-Haul (Dirty Dishes, Tasty)
Gordon Gartrell (Dirty Dishes) http://dirtydishesdjs.com/
EATS:
Vegan cupcakes by Black Orchid Bakery
http://www.blackorchidbakery.com/

www.hyphenmagazine.com
www.paperhatproductions.com

Friday, April 23, 2010

Fillmore Art Walk tonight!


Granted, we probably should have posted about this a bit earlier, but tonight, Friday, April 23rd, we'll be selling a limited selection of our prints and ties and will be live painting from 6pm-10pm (maybe later?) at the Fillmore Art Walk!

We will be working collaboratively (!!!) on smaller canvases outside of Jazz'z Hair Salon, right across from Yoshi's on Fillmore, at Eddy. Look for the bright green tablecloth! It should definitely be a night to remember, and it's your first chance to see what an Eve Skylar-Rick Kitagawa painting looks like!

Wednesday, April 21, 2010

Giving Up is for Quitters

Life can definitely be discouraging at times, especially when you're trying to be a professional artist. Now, not to say that other professions don't have as much personal investment, but when you are a visual artist, it is easy to get down on yourself and quit. I think a lot of it stems from the personal investment that you have in your art, especially as a fine artist. It's not like a car salesperson is going to take it personally when a customer asks for that Civic in blue, not red. The car salesperson doesn't care - they're still making a sale. For us artists, sometimes something as simple as that defeats the entire purpose of the piece. For designers, "just change the font" can completely ruin a piece. For artists, changing color schemes (besides potentially taking a huge amount of time) completely shifts the mood/symbolism/feel of a piece.

It's easy to take stuff like that personally. It's easy to feel like crap when you don't sell anything at a craft show. It's easy to feel down when you post a new painting on facebook and no one says anything about it. But you know what? It doesn't matter. There are so many billions of reasons why XY and Z happened, and I bet you that it has nothing to do with you as an artist. How do I know this? Because art is subjective. Yes, we have classical realism which is often touted as "good" art, but even if you draw like a two-year-old with no fingers, I guarantee you that someone out there is going to dig it. It may be hell trying to find that person, but someone out there is all about your art. The trick is finding that person, or those people.

Case in point: This was a painting I did in a class at the Academy. As 1/3 of my total grade, I did not do well, grade-wise. I was told to integrate my text into the image more. I ended up barely passing the class with a C-. Not the best feeling in the world, but when I made giclee prints out of these and took them to a craft fair, I sold out of the prints. Just because my instructors (who, granted, are trying to teach classical realism) weren't into my painting, doesn't mean that others won't be.

So, what I'm trying to say is: Don't give up. Maybe you won't be able to live solely off your art. Monkey + Seal both aren't able to do that. Right now, we have to work day jobs to support ourselves. This won't be the case forever, but it is a reality right this second. But we're not giving up. We're marking ourselves and doing what we can to get our art out there, so that people who are interested will buy. It's all about finding your audience.

But at the end of the day, it really isn't about sales. It's about knowing that you're doing the very best you can on every single piece, and doing it because you love to make art. Now, just because you could spend 50 hours on a painting doesn't mean that you should. If your best is 30 hours, then spend 30. If it's 5, then spend 5. Hell, if your best, for that given time, day, energy level, and general circumstance is a 5 minute sketch, then do that 5 minute sketch. Just make sure you're doing it for yourself, and buyers, and fans, and people into your art will definitely follow.

Monday, February 22, 2010

Paper Hat Production features: Alexander Shen!

Today we'll have a little spotlight on Alexander Shen, the comic mastermind behind comics such as Robot in the City and Capesville, as well as fun little games found under the umbrella of Shen Games.



Also a talented singer/songwriter, Alexander likes to "spend most of his time dabbling and less of his time dobbling." You can usually catch Mr. Shen at the Alternative Press Expo, APAture, and most recently at the Giant Robot SF Print show. Anyhoo, please check out his plethora of sites (I'd recommend starting with his blog) and enjoy the hours of comic goodness he's got to offer!


See you on the 12th!

Friday, February 5, 2010

Monkey and Seal is curating a Gallery Show!

We're curating a gallery show!

Opening Night Art Riot Extravaganza: March 12 at SPACE Gallery
  • 8p-whenever
  • Featuring 10 emerging San Francisco based artists
  • Live Art Battle
  • Live Painting
  • Live DJ
  • Top of the line, Comedy Improv Troupe: Hobofish
  • Vegan Baked goods by Black Orchid
  • Edgy drinks by SPACE Gallery
  • chance to win one-of-kind, original art, just by coming out to drink with us!
Monkey and Seal are both busy with their furry paws and fins. We will try to update you on our process, so you can get an insight into the minds of curating -- what will become one of the biggest art riot extravaganza events ever!

Currently, Monkey is working on the official website and Seal is working on a logo. They are projecting to go live by Saturday morning.

We're so excited to feature the awesome comedy improv troupe -- Hobofish. If you haven't seen their live performance, it's a once in a lifetime treat. We're in the process of booking a DJ. A couple of promising prospects. We'd like to do a shout out to a talented DJ: Zaion. The music and the photography on his website is absolutely serene!

In the next couple of weeks, we will be featuring the different artists and events! Stay tuned for more.