Showing posts with label investing in yourself. Show all posts
Showing posts with label investing in yourself. Show all posts

Thursday, January 3, 2013

How Self-Improvement Will Destroy You

A very non-serious .gif by Monkey for a serious post by Seal. What a silly Monkey.

When I was seven years old, I started my first to-do list. I was quite simple, with only three items I wanted to accomplish every day.

  • Put away my toys
  • Make up my bed
  • Help parents clean the apartment

Ten years later, when I was seventeen, the list grew to more than a 100 items. It was no longer a daily list, but a resolution for life. I titled it “Goals in Life”. It included travel destinations, languages to learn, running record times to break, things to become . . .

  • Travel to Nepal, Africa, France, London
  • Learn French, Spanish, Mandarin, Japanese
  • Run 6 minute mile
  • Run 20 minute 3 mile (standard xcountry race)
  • Draw in 20 sketchbooks (I gave myself 6 years)
  • Read all of Shakespeare
  • All Greek Mythology
  • Collect stamps
  • Wrtie a novel
  • Make a film
  • Learn how to brew my own beer
  • Learn how to make my own cheese

The list went on, page after page. If you can’t tell, I was a very serious person who wanted to accomplish very big things. But at the heart of this list, there was something terribly wrong.

Although I read all of Shakespeare’s work in both junior college and in Berkeley, I couldn’t really use my knowledge of Old English and Literature in my everyday conversations. I hated Greek Mythology. I started a stamp collection, but I don’t even like collecting stamps. I managed to learn conversational Japanese and French on my own, but I have a high resistance to learning tonal languages such as mandarin. I don’t seem to have an ear for it. My friends make better beer and cheese that I did, so why not bum some off of them instead? And as I ran everyday and got close to breaking into 7-minute mile, I suffered an injury that put me out most of the x-country season during my senior year. I never did break that 6-minute mile or 20 minute 3 mile. And although I accomplished quite a lot from my giant list and I was generally happy, when I completed a task and crossed it off my list, the joy didn’t last as long as I thought it would. The experience of accomplishing a goal was tinged with a bit of disappointment. Since I didn’t want to think of what that would mean, I’d hurry onto the next task. My obsession with x-country record time was replaced by the next item on the list. At one point it was literature/ narrative theory at Berkeley, and now it’s art and film.

At the heart of these goals and resolution lists, I couldn't leave myself alone. Under the guise of self-improvement, I had rejected myself. Somewhere along, I believed that who I was at the core was not good enough and I needed to improve. I was thoroughly convinced that if I had accomplished certain things, it would sure to make myself feel worthy. I was busy trying to become someone else. I constructed a parallel life: someone that knew French, Spanish, Mandarin, and Japanese, someone who was a dedicated and revered marathon runner, someone who was cultured in Shakespeare and Greek Mythology, someone who could entertain her guests with beer and cheese made from her own very backyard.

“Self improvement” became self-rejection, a mad haste to becoming someone other than myself. I was always either “squeezing myself into a narrow version of revered behavior or crashing and rebelling against everything that constricted me.” No amount of goals I accomplished, no amount of tasks crossed off, satisfied me. “I had to keep doing more and more to silence the part of me that knows my actions were based on fear of what would happen if I didn’t try so hard” (Geneen Roth).

Stephen Levine, a meditation teacher once said, “Hell is wanting to be something and somewhere different from where you are.” If that’s true, then I spent a good number of my life in hell.

For a long time, I did this with art too. I signed up for workshop courses, made myself watch art videos everyday, draw everyday, paint everyday. I was so busy “climbing up the art career” until one day, I had pain and tightness in my wrist and tiredness in my eyes and I was forced to do anything else except for art. That same year, my aunt passed away. I hadn’t seen her for 20 years. There were so many words left unsaid.

I took a walk to my favorite coffee shop and had some warm chai. I didn’t realize that on that particular day, there was a festival at Japantown. So I sipped my chai and watched the kids playing taiko drums as the wind blew wisps of hair around my cheeks.

We are so afraid that if left to ourselves, without structure, without goals and resolutions, that we won’t accomplish anything, that we will falter and give in to laziness. Most resolutions are created out of fear, force, shame, or guilt. They are focused on “self-improvement”- the belief that something is broken and needed fixing rather than “self-actualization” – the unleashing of your already abundant amazing self and embodying your potential. Trust, that left to yourself, you will not destroy what matters most.

Ten years more, at age 27, I stopped making these resolution lists.

So what would happen if I didn’t try so hard?

I paint and make films. I just stopped counting how many sketchbooks I’ve filled up by a certain time. I do yoga and I jog, but I stopped counting how many calories I burned, how long it takes to run a mile, or how many times I go in a week. I learned enough Japanese to telecommute with my boss at SEGA in Tokyo, Japan, but I still don’t know how to write Kanji so I’ll get Google translator to help me with that. I gave away my stamps to an elementary kid who might have appreciated them more than me. If I do end up picking up Mandarin, great. If I don’t, that’s fine too. For my parties, I buy beer from my friend who is currently going to Beer School and cheese from the local green market ~ I’m never disappointed.

Our society has a very odd way of rewarding self-improvement and New Year’s Resolutions. We never question whether they are right to begin with. I’m not thoroughly against resolutions or goals. I think they are important in that they provide some sort of trajectory to aim for. As well as they are truthful tools to get you closer to self-actualization.

For example, you can begin from where you are. What are my goals? Say, to get a job at a top studio as an art director. What prize are you hoping to receive when you accomplish that goal? Is it fame? Financial reward? Or Creative reward that comes with a big studio? Is it rest from “having to find another job ever again”? or is it the freedom to choose your projects? Do you even like managing other artists (this comes with the responsibilities of being an art director)? So if you were able to narrow down your true desire from your goal, say you want to be an art director at a big studio so you can choose your projects and work with other inspiring top level artists . . . (you don’t really need a big studio or title of an art director to accomplish this true desire) what you, in fact, really wanted is freedom and creativity. Unless you can uncover your deepest desires, goals are elusive from one task to another. But if you ask questions about your goals, their true motives, and  they are very specific towards embodying your full potential; they can become your greatest tool and compass towards the theme of your life - the meaning you are trying to make with your life.

Whether you are just starting out or writing your resolutions for the 100th time, the biggest caveat, is that goals and resolutions should never be created out of fear or punishment (ie, if I don’t exercise, I’ll gain weight), but goals should be born out of trust in becoming and self-care (I like the feeling of moving my body and having strength in my limbs, so I’ll exercise). It shouldn’t be “Draw everyday (because if I don’t I won’t become somebody special, I won't create at all, other artists will pass me up, I won’t get a job, or I won’t have anything to contribute,” it should be “I enjoy the process of creating a visual physical thing from ideas, I love putting my imaginary worlds unto something visible that I can share with other people so I will draw whenever when I can.”

Here at Monkey + Seal, we’re a big fan of goals’ close cousin: themes. An extended explanation from out last post: whereas goals cover measurable units (running 3x a week), themes are broad strokes that highlight the values that are important to you (living a more a healthy lifestyle). With goals, you can get easily disappointed when you run 2 days and fail the 3rd day while with theme, if I fail to run at all in the week, there are many other actions I can take to fulfill the theme of living a healthy lifestyle, I can drink more water, get more rest, eat low cholesterol diet, walk around the block during lunchtime. The same thing could be said for the artist. Instead of “draw everyday, write everyday, or paint everyday” I now “incorporate a more creative life in my moment to moment,” that could mean anything from sipping chai while observing the sounds of steam milk, coffee grinding, and laughter at a cafĂ©, taking photographs outside my window, catching up on the latest film and discussing its cinematography and color, to walking around the block while hashing out the ending to my film.

So what are your themes for this year? For 6 months? This month?

What is your true north?

Wednesday, June 6, 2012

How to Save Yourself From Burn Out


When I arrived Saturday morning for my weekend painting workshop, I was tired from the week's work - month's work, to be precise. I had taken on one too many calls, one too many emails, one too many art-donation charity events, one too many project, and not taking good care of myself. I was "burnt-out." This is the dark side of the artist life.

When we are depleted of time and energy, so it our creativity and art. We become a snarling animal prodded one too many times and we refuse to perform any more magic acts. Having experienced burnt out before, I thought I knew how to avoid it. I thought I knew better. But it's difficult. The fine line between a fun creative productive artist and a manic overworked "horse" is very thin. Although sometimes there doesn't seem to be much of choice between work/rent vs sustainability/rest, we have to remember - there is always always a choice.

Contrary to the myth that artists are selfish, I think we are very generous - perhaps even too much. We are often taking on projects that are not ours. We make posters for Uncle Steve's bbqs or little Billy's birthday party for no cost. We often volunteer in some creative or mentoring program for the community. People often use artists as a sounding board for idea pitches, solicit critiques, or even rants on personal lives without refilling our energy wells. We, ourselves, often dip into our own well and drain it faster than we can refill it. We say "yes" to the latest social gathering when we really want to be alone with our art. Or quite the opposite, we stay home, when we really want to go dancing but are afraid. In short, we are NICE PEOPLE, but not necessarily honest to ourselves.

But what if I have kids or are in a relationship or have friends who need me? You ask. Surely, they come first before my art? The truth is: we can become better family members and friends when we take care of ourselves and our needs first. When you give to yourself, your energy and time will surprisingly multiply by ten fold.

It's time to think a little bit more of ourselves. It's time to be more selfish. Take care of your artist self. Invest in yourself. "Stop being nice, and start being honest," as writer Julia Cameron said. So you don't want to do this project, DON'T DO IT. Give it to someone else who has the time and is more passionate about it. So you need to stay in instead of a movie date? Take a raincheck. But what about timed events that you have to attend, but may not have energy for, like gallery openings, friend's poetry reading, or billy's birthday party that might make or break your friendship or relationship? Well, take care of yourself days ahead and the morning beforehand, so you have plenty of rest. Wake up earlier in the week before work, or sleep in, or find the time and prioritize your creativity so that at Billy's birthday party or your friend's poetry reading, you are alert, attentive, and present - NOT thinking about your novel or project back home and seething at Billy in resentment.

Self care and freedom is the best remedy for burn out. A little goes a long way. Like buying your favorite soap for $2.99 or warm hot cocoa. Finally watching that movie or reading that book that you've been putting off. Calling a friend who can help you refill the well by listening to you. Freedom from email or phone after dinner. Freedom to rest. Freedom to see friends or go on a run. Undisturbed guilt-free time. It's going to be different for everyone.

At the weekend painting workshop, my teacher Erik Tiemens always seemed very energetic, creative, and animated.

"Attack the paper," he would say.

"Play with the paint, without having an end-product in mind." I don't know if this is true, but I suspect that he will always be young-at-heart and creative because he gives himself the freedom to play.

Our artist self is like a seven year old kid. If we told it to sit still, be quiet, and do your work for one too many times, it will start to rebel. So we need to communicate to them that we'll listen to them. That we will give them a treat for being so good all this time. That we are on their side and it's safe to create again.

Just ask yourself, what do I want? If there are no emergencies, no restrictions, deadlines, or people depending on me and I have the freedom to do whatever, what do I want?




Wednesday, May 23, 2012

Thousands of Dollars Worth of Lessons From Spectrum Fantastic Arts Live!



This past weekend Monkey + Seal took the long trip over to Kansas City for Spectrum Fantastic Art Live!  It was three days of being surrounded by some of the most amazing contemporary fantasy artists out there. 

The week prior was sort of a whirlwind of madness.  Seal had concept art, storyboard, and commission work to do.  Monkey had an event he was coordinating on Wednesday, then hung the latest Big Umbrella Studios show on Thursday for the opening on Friday, and he painted all weekend.  Then, it was a mad dash Monday through Wednesday to finalize transportation plans, get prints made, figure out new displays, and pack. 

Monkey ordered plastic sleeves that didn't come in on time, we didn't sleep from 1:30pm on Wednesday until we got on our plane at 2:30pm on Thursday.  There were no restaurants open by the time we rolled into our hotel at 1am Friday morning, and so we had a large amount of pretzels, snack crackers, and dried fruit for dinner.

When we arrived at the convention center the next day, Monkey started freaking out due to the sheer overwhelming amount of "big name" artists with huge original paintings and giant, framed canvas prints.  However, Seal's courage was strong enough for the both of us and as Monkey calmed down, we started to set our booth up.


Over the next three days, we got to meet some amazing artists, listen to great presentations, and we even managed to sell some merchandise.  Even though the crowd was much smaller than we had hoped, we learned a lot and came out smiling.

To be honest, it was an expensive bunch of lessons and tips (even trying to take all the budget options) we ended up investing thousands of dollars that weren't made back.  This was a bit hard to take in, but the lessons were invaluable and viewing this as an investment in our careers rather than losing money has helped ease the sticker shock considerably.
 
Rows and rows of awesome artists and art

 Some good take-aways we learned:
-It's painful and scary to be beginners.  However, what option did we have?  Pack up and quit and go home?  Nay, you just gotta do the best with what you have.  Everyone has to start somewhere.

-From Mike Mignola: If you never put out that dream project, you'll never have the chance for movie rights and other "big time" offers.  Expect to make no money and do it for the love of it, and who knows where it will go.  At least you've put it out on paper and sent it out into the world.

-When you're just starting out in fantasy illustration, 5-6 amazing pieces is all you need in your portfolio.  Take out all the filler, emphasize the "amazing" part.  Also, tailor it specifically to the company you are submitting it to.  Your portfolio for Magic:the Gathering is much different than your portfolio for book cover illustrations, which is much different that the portfolio you submit for editorial work.  

-from basically every presenter: DO WHAT YOU LOVE

-From Donato Giancola: Expect to make absolutely no sales from any craft fair/exhibition/expo, and just go for the love of it.  Think of it as investing in your career.  You'll always leave happy.

-We figured out that we have to step up our own game - we're working on designs for new display units as we type!

-Established artists are sometimes insecure and freaked out as well!  We've overheard numerous other exhibitors freaking out over who they're vending with as well.  One artist on a panel (who freelances full-time for Wizards of the Coast + others) said "I still feel like someone is going to reveal me as a fraud."  Sound familiar?
Overall we had a great time, got to (re)meet some other Bay Area illustrators and meet some of our heroes.  We have no regrets and are super thankful we were able to take the plunge and make it out to a whole new venue and a whole new level!

Award Ceremony honoring artists who won the Spectrum Silver and Gold Award
James Gurney receiving the Grand Master: an artist who has had at least 20 years in the art industry, who inspires others, and has made an impact in the community. He is Seal's hero.
Onwards! Towards more adventures!